NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future
In January, the NYC Under the Radar Festival presented some of the most innovative and...
Oceania
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
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Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello”
By a fortuitous coincidence, a new theatre-work The Chair and The Cello – which features an...
Read MoreNYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future
In January, the NYC Under the Radar Festival presented some of the most innovative and...
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Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
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“The Butterfly Who Flew Into The Rave”, Edinburgh Festival Fringe 2025
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
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Sam Kissajukian’s “Three Hundred Paintings,” Edinburgh Festival Fringe 2025
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
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Electrifying Ensemble Performance and Political Satire in New Māori Play: “Unreel” by Helen Pearse-Otene
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
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“Macbeth (An Undoing)”: A New Take That Aims To Reimagine Lady Macbeth’s Path – But Ultimately Leaves You Guessing
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
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Bell Shakespeare’s New “King Lear” Understands The Joy Of A Good Tragedy
It is a common reflex to reach for Aristotle’s Poetics to determine what a good tragedy should be....
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At This Year’s Rising Festival, I Was Most Excited By The New And Unexpected Audiences
Rising situates itself as a festival of new art, performance and music that takes place in the...
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Sydney Theatre Company’s “Dracula”: A Virtuosic Performance, Sexy Staging, And A Queer Rewriting
The figure of Dracula has always lived somewhere between the written word, screen projections and...
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Adelaide Cabaret Festival Understands How Its Audiences Long For Connection and Community
Now in its 24th year, the Adelaide Cabaret Festival’s annual celebration of all things cabaret...
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“Homo Pentecostus:” On Queer Intimacies, Religion, Ancestry And The Human Need For Connection
Music pumps; lights pulsate; two sweaty bodies sway together, touching, breathing in each other’s...
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Back to Back’s “Multiple Bad Things” takes a sophisticated look at the moral ambiguities of today’s ‘culture wars’
Back to Back Theatre is an internationally lauded ensemble of collaborators based in Geelong. With...
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“Symphonie Of The Bicycle:” On The Desire To Be Great, And The Desire To Live A Life With Great Meaning
Symphonie of the Bicycle is a tour de force. Actor and writer Hew Parham takes the audience...
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A Story Of Trauma, Hope And Regaining Control, “Nayika: A Dancing Girl” Is Soul-Stirring Dance Theatre
The complex and grappling issue of violence against women takes centre stage in the soul-stirring...
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Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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I Wholeheartedly Recommend “The President:” A Brilliant Revival Of A Play Of Decay, Terror And Revulsion
Decay, terror, revulsion. These are three of the central themes of Thomas Bernhard’s rarely...
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New Play “The Exact Dimensions of Hell” Explores The Chaos And Contradiction Of Teenage Girlhood – And Witchcraft
The relationship between witchcraft and teenage girls has been the subject of many books, films...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
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‘Strong Theatre With Unwavering Precision’: Into The Shimmering World Asks Us What Does It Mean To Be Good?
Angus Cerini’s Into the Shimmering World is an unforgiving and, frankly, bleak meditation on what...
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Love, Loss And Tears – But Also Laughter: Belvoir’s Compelling And Skilful Staging Of “Holding The Man”
Walking through Chippendale on my way to Sydney’s Belvoir Street Theatre, where this production of...
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Respect And Disrespect Clash Throughout 37 – A Brilliant New Play Exploring Australian Rules Football
Guernsey number 37 belonged to Aboriginal star football player Adam Goodes when he played for...
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Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain
The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024,...
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Theatre Against Ageism: “The Secret Lives of Extremely Old People” by Rachel McAlpine
In a year in which 77-year-old Dolly Parton recorded her first rock record, the octogenarian...
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At the End of the Land: an avalanche of images that invites us to sit alone in time and space together
At the End of the Land, a world premiere production by Western Australian interdisciplinary...
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Belvoir’s “The Master and Margarita:” Astonishingly Ambitious, Physically Demanding, and a Resounding Success
Russian writer Mikhail Bulgakov’s cult novel The Master and Margarita has inspired many artists....
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Venus and Adonis: this “play within a plague” about Shakespeare is wildly romantic, erotic and colorful
Shakespeare wrote his famous narrative poem Venus and Adonis in a lockdown era when, in 1593, the...
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“My Sister Jill:” Patricia Cornelius’ New Play is a Blistering Post-War Social and Cultural Commentary
Emerging from one of Australia’s most enduring and significant theatrical partnerships between...
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A Journey of Discovery and Identity Formation: “The Dictionary of Lost Words” Makes Its Wonderful Stage Debut
The Dictionary of Lost Words follows Esme as she navigates the patriarchal world of Victorian...
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Sydney Theatre Company’s “The Importance of Being Earnest”: Fresh, Funny and Completely Joyous
It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and...
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New Aussie Musical “Bloom” Misses An Opportunity To Interrogate The Gaps In Aged Care – And In Our Social Fabric
Bloom, the new Australian musical produced by the Melbourne Theatre Company, is proudly billed by...
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I Can’t Imagine Anybody Would Come Out Of “On The Beach” And Not Hold Their Loved Ones Just That Little Bit Closer
Review: On The Beach, directed by Kip Williams. When Nevil Shute wrote his 1957 novel On the...
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New Zealand’s Oldest University Theatre Programme Under Threat
Due to the current financial crisis in the tertiary education sector in Aotearoa/New Zealand, the...
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Rising Has Yet To Establish Its Voice – But This Year’s Festival Gave Us Significant And Thrilling Work By First Nations Artists
Rising has just completed its second run across Melbourne. The newest addition to the city’s...
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Sydney Theater Company’s “Julia” Powerfully Imagines the Life and Emotions of the Woman Behind the “Misogyny Speech”
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
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“Sex Magick”: This Gender-Bending, Time-Traveling Play Invites You to Detangle Love and Sex
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
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More Than 2,000 People from Wittenoom Died of Asbestos-Related Diseases. A Powerful and Compelling Requiem Brings Their Story to the Stage
Deep in the remote Pilbara region of Western Australia, the town of Wittenoom lies empty,...
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New Australian Play “D*ck Pics in the Garden of Eden” is Bold, Funny – And Very, Very Lewd
Review: D*ck Pics in the Garden of Eden, written and directed by Jeffrey Jay Fowler, The Last...
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“The Jungle And The Sea” Reminds Us War Is Profoundly Local, With The Intimate Negotiation Of Human Relationships
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
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“RBG: Of Many, One” Is A Beautifully Crafted, Virtuosically Performed Play About Ruth Bader Ginsburg
Review: RBG: Of Many, One, directed by Priscilla Jackman, Sydney Theatre Company Writing a play...
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We’ve Been Editing Shakespeare’s Plays for 400 Years— But Does a New Australian Production of “The Tempest” Idealize the Bard?
Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...
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“When The World Turns” is a Profoundly Moving Theatrical Experience for Children with Complex Disabilities
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
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With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...
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Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.
Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...
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A Blast from the Past: Les Champignons de Paris by La Compagnie du Caméléon
On June 13, 2022, I spoke with Guillaume Gay, who is operational and artistic director of the...
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A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”
Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...
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In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts
Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...
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With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
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Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
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