“An Iliad:” A Retelling of the Horrors of War Beyond Troy!
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores...
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United States of America
“Key Largo” at Geffen Playhouse
Mr. D’Alcala: If the time ever comes when your kind can walk a city street in daylight with...
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The World Premiere of “Bad Habits” at Ruskin Group Theatre Co.
’Tis the season for holiday-inspired and joy-infused entertainment and Ruskin Group Theatre Co. in...
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I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds
Scenic designer Sean Fanning recently designed a beautiful and provocative set for Jack Thorne’s...
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“An Illiad:” A Retelling of the Horrors of War Far Beyond Troy!
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores ancient...
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Speakeasy Presents “Admissions:” A Play About Confused Liberals
Admissions is the third work of Joshua Harmon to appear at SpeakEasy in Boston’s South End. The...
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The Great Tamer – A Greek Choreographer’s Bam Debut
Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
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“The House of the Spirits” at The Cervantes Theatre
South America’s trauma in the second half of the twentieth century can be summed up by one phrase:...
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“All Hallows Eve” The Musical
Composer Paul Rudolph accompanies the cast through a score that is perfectly in sync with the story line. Delightfully, it is a musical score that reminds it’s listener that this is how Musical Theatre “really works.” Both Haley and Lott keep up the musical pace with Barnhart.
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The World Premiere of “Eight Nights” at Antaeus Theatre Company
“We are moving in the right direction, we cannot go back – There won’t be more camps, more...
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“Heroes of the Fourth Turning” at Playwrights Horizons
We live in a time, especially in America, of increasing political divide. Many politicians and...
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“Reparations” at the Billie
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
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“The Black History Museum…According to the United States of America”
The Black History Museum….According to the United States of America, Smoke & Mirrors...
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“The Thanksgiving Play” at Geffen Playhouse
“What can we do to break down the myths and stereotypes of Thanksgiving in forty-five minutes with...
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Bedlam Returns to Cambridge’s Nora Theatre Company with “The Crucible”
Bedlam Theatre, a New York City Company, was founded in 2012 by the actress Andrus Nichols and the...
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“Augustine’s Dream:” A Work in Development
Augustine’s Dream was presented in July 2019 at the Providence Fringe by AnomalousCo. An...
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New Rapp: “The Sound Inside”
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
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“Painted Alice” Review: Down The Rabbit Hole Once More
Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....
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Mozart by Way of Cape Town
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
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“Dr. Ride’s American Beach House:” Ready for Orbit
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
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