Dramaturgs Reflect on the ATHE Dramaturgy Focus Group (DRFG) Part I: The Foundation
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
Read MorePosted by Walter Byongsok Chon | 15th Jan 2020 | Dramaturgy, Interview, United States of America
Originally, this article was conceived as a section of an extended piece called, “Dramaturgs...
Read MorePosted by Madeline Engelsman | 13th Jan 2020 | Design, Immersive Theatre, Interview, United States of America
With a background in theatrical lighting, Chris Medvitz is a current Partner and Principal at...
Read MorePosted by Holly Rosen Fink | 12th Jan 2020 | Interview, New York, Theatre and Gender, United States of America
Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion...
Read MorePosted by James Montaño | 8th Jan 2020 | Adaptation, Boston, Review, United States of America
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Wendy Arons | 2nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but...
Read MorePosted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Wendy Arons | 25th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The title of Jocelyn Bioh’s School Girls; or, The African Mean Girls Play tells you a certain...
Read MorePosted by Wendy Arons | 24th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Allow me to introduce you to the fierce yet fragile preteens who populate Clare Barron’s savagely...
Read MorePosted by Wendy Arons | 23rd Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, Theatre and Politics, United States of America
After he won the World Heavyweight Championship by roundly defeating Sonny Liston on February...
Read MorePosted by Jonathan Kalb | 22nd Dec 2019 | Germany, Review, United Kingdom, United States of America
Two years ago, the British director Richard Jones brought a stunning production of Eugene...
Read MorePosted by Cindy Rosenthal | 18th Dec 2019 | New York, Review, Theatre and Gender, United States of America
Karen Malpede’s plays scream “Pay Attention.” Thus I titled my 2001 New York Times article on I...
Read MorePosted by Madeline Engelsman | 18th Dec 2019 | Directing, Interview, United States of America
Amanda Levie is the founder and director of No Peeking Theatre, Jersey City-based theatre company,...
Read MorePosted by Wendy Arons | 16th Dec 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Reader, if – like me – you’re a relatively recent transplant to Pittsburgh, the presence of the...
Read MorePosted by Abigail Weil | 15th Dec 2019 | New York, Participatory Theatre, Review, Theatre and Age, Transmedia, United States of America
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
Read MorePosted by Holly Rosen Fink | 14th Dec 2019 | Acting, Interview, New York, United States of America
If you’re a culture vulture and are interested in TV and theater, most likely, you know a...
Read MorePosted by Jonathan Kalb | 12th Dec 2019 | France, Germany, LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
Read MorePosted by James Montaño | 11th Dec 2019 | Review, Theatre and Religion, United States of America
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
Read MorePosted by Aleks Sierz | 8th Dec 2019 | Documentary Theatre, Playwriting, Review, United Kingdom, United States of America
Today, we call it soft power. During the Cold War it was more like success at any cost—and by any...
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