Sin Muros: Interview with Lupe Mendez
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
Read MorePosted by Trevor Boffone | 17th Feb 2022 | Festivals, Interview, United States of America
Sin Muros: A Borderless Teatro Festival returns to Stages in Houston February 17-20, 2022. Now in...
Read MorePosted by Rhiannon Ling | 16th Feb 2022 | Interview, Theatre and Film, United States of America
These past two years have proven how much of a home the theatre is, something many only realized...
Read MorePosted by Trevor Boffone | 15th Feb 2022 | Festivals, Playwriting, United States of America
Sin Muros: A Borderless Teatro Festival is back at Stages in Houston. Now in its fifth year, the...
Read MorePosted by Rhiannon Ling | 12th Feb 2022 | Interview, Playwriting, United States of America
Dietrich Bonhoeffer is not a name typically associated with the theatre. Though the Bonhoeffer...
Read MorePosted by Megan C. McCormick | 11th Feb 2022 | New York, Review, Theatre and Opera, United States of America
Vibrant, thought-provoking, invigorating, and brimming with talent, “The Hang,” with book and...
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Donald Brown | 8th Feb 2022 | Review, Theatre and Gender, United States of America
Hartford Stage in Hartford, Connecticut, has a stable tradition of offering literate plays...
Read MorePosted by Jonathan Kalb | 30th Jan 2022 | New York, Playwriting, Review, Theatre and Politics, United States of America
Skeleton Crew is Dominique Morisseau’s best play so far. It’s the most streamlined work in her...
Read MorePosted by Donald Brown | 24th Jan 2022 | Review, Theatre and Politics, United States of America
Long Wharf Theatre in New Haven Connecticut stages a revival of Anna Deavere Smith’s Fires in the...
Read MorePosted by Etcetera | 21st Jan 2022 | Interview, New York, Theatre and Politics, United States of America
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read MorePosted by Suzi Elnaggar | 13th Jan 2022 | Covid-19, Dramaturgy, Mexico, Review, United States of America
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
Read MorePosted by Adam Ashraf Elsayigh | 12th Jan 2022 | Review, Theatre and Politics, United States of America
Where and when: Harry J. Elam, Jr. Theater at Stanford University from November 11, 12, 13, 18,...
Read MorePosted by Narelle Yeo | 10th Jan 2022 | Essay, Musical Theatre, Theatre and Gender, United States of America
The most eclectic of music theatre composers was not only a gifted wordsmith and lyricist, but...
Read MorePosted by Eric Hetzler | 6th Jan 2022 | Acting, Essay, United States of America
So-called method acting seems to be having a moment. Benedict Cumberbatch and Kirsten...
Read MorePosted by Sonya Suares | 4th Jan 2022 | Musical Theatre, News, United States of America
What did Stephen Sondheim mean to me? This is an attempt to bring order to the chaos. My first...
Read MorePosted by Alexander Fatouros | 3rd Jan 2022 | Boston, Review, Theatre and Art, Transmedia, United States of America
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
Read MorePosted by Jonathan Kalb | 23rd Dec 2021 | Adaptation, New York, Review, Theatre and Gender, United States of America
As most people reading this will already know, Company was first reworked for a female Bobbie...
Read MorePosted by Christopher Wiley | 17th Dec 2021 | Musical Theatre, News, United States of America
A musical theatre legend has died. Stephen Sondheim, the greatest composer-lyricist of his...
Read MorePosted by Fareeda Pyracha Ahmed | 16th Dec 2021 | New York, Review, Theatre and Opera, United States of America
If you’ve never seen an opera before, start here. If you’ve seen a ton of opera before, re-start...
Read MorePosted by Fareeda Pyracha Ahmed | 1st Dec 2021 | Review, Theatre and Science, United States of America
For anyone wondering if live theater offers nothing but escapism from our mini-plague—or worse—on...
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