“Caterpillar” at The Theatre 503
Theatre 503 is a small underfunded fringe venue, but it’s one of the most important nurseries of...
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United Kingdom
Benedict Cumberbatch Drama School Will Teach Actors How To Voice Podcasts And Audiobooks
LAMDA will offer actors special classes in voicing audiobooks to meet the surge in demand Budding...
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“Blackthorn,” Edinburgh Fringe–Review: “Like One Day Set In A Yorkshire Farming Community”
Charley Miles’s brilliant debut play is as interwoven as the thorny bush of its title Blackthorn...
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Temperament And Innovation: The Performing Arts In A Devolved Wales
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
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Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre
With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...
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The Most Unusual Comedy Shows At The Edinburgh Fringe 2018
From shows you control with your phone to tap-dancing economics lessons, these comedians do things...
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“Angels in Suits” – The Operas of George Benjamin & Martin Crimp
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
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“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
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“Jayde Adams” at Edinburgh Fringe, Review: A Rafter-Rattling Hour From The Bristolian Diva
Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...
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“Status” by The Summerhall: “It’s Not Another Brexit Show,”
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
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Jon Harvey, Edinburgh, Review: The Most Surprising Show Of The Fringe
Jon Harvey Assembly George Square Theatre ★★★★ In a stuffy Portakabin tucked around the back of...
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“Silk Road (How To Buy Drugs Online”) at The Trafalgar Studios
The Dark Web has an intriguing sound about it. Like something out of JRR Tolkien or JK Rowling, it...
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Laura Wade’s “Home, I’m Darling” At The National Theatre
Nostalgia used to be a disease, but now it’s a lifestyle choice. Look around you: British reality...
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“Nina’s Got News” – Edinburgh Fringe, Review: Frank Skinner’s Debut Play Is A Wasted Opportunity
It is 27 years since Frank Skinner won the Perrier Award in Edinburgh, setting him on the path to...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Brian Friel’s “Aristocrats” At The Donmar Warehouse
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel’s...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Rose Matafeo’s “Horndog” – Edinburgh Fringe, Review: “Invigoratingly Enjoyable”
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
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Traverse Theatre’s “What Girls Are Made Of,” Edinburgh, Review: An Irresistible Tale Of Britpop Fame And Misfortune
Long before Cora Bissett became one of Scotland’s most exciting theatre-makers–in 2012 she won an...
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