“Jude” at The Hampstead Theatre: Adaptation of Thomas Hardy’s 1895 Tragic Novel, “Jude The Obscure”
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
Read MorePosted by Aleks Sierz | 13th May 2019 | Adaptation, London, Review, United Kingdom
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
Read MorePosted by Colin Hambrook | 11th May 2019 | LGBTQ+ Theatre, News, Theatre and Disability, United Kingdom
Lesbian Pirates! is a musical based on the untold true story of the ruthless, maverick and lesbian...
Read MorePosted by Sui He | 11th May 2019 | London, News, Taiwan, Translation, United Kingdom
In March 2019, translators, directors, performers and researchers gathered at University College...
Read MorePosted by Duška Radosavljević | 10th May 2019 | London, Review, Theatre and Gender, United Kingdom
Written only as recently as 1981, Caryl Churchill’s modern classic Top Girls has already been on...
Read MorePosted by Aleks Sierz | 9th May 2019 | London, Review, United Kingdom, United States of America
Superstar Sally Field has come to town. With two academy awards and countless other accolades, the...
Read MorePosted by Aleks Sierz | 9th May 2019 | London, Review, United Kingdom
Novelist Andrea Levy’s 2004 masterpiece, Small Island, is a tribute to the Windrush Generation,...
Read MorePosted by Aleks Sierz | 8th May 2019 | London, Review, Translation, United Kingdom
Rosmersholm is considered a difficult and rarely performed play. But, judging from this...
Read MorePosted by Aleks Sierz | 8th May 2019 | London, Review, Theatre and Gender, United Kingdom
If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...
Read MorePosted by Aleks Sierz | 7th May 2019 | London, Review, Theatre and Gender, United Kingdom
Most new writing for the British stage is timid in subject matter, predictable in plotting and...
Read MorePosted by Julian Meyrick and Elizabeth Schafer | 7th May 2019 | Essay, Theatre and Religion, United Kingdom
During Holy Week – the run-up to Easter – theatrical versions of religious narratives abound....
Read MorePosted by Jamie Potter | 30th Apr 2019 | Essay, United Kingdom
This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...
Read MorePosted by Ian Zarate and Haylin Cai | 27th Apr 2019 | Festivals, London, Review, United Kingdom
Turbo bubble-tea brewing, participative economic discussions, and live, squirting orgasms were...
Read MorePosted by Aleks Sierz | 25th Apr 2019 | London, Review, United Kingdom
Maggie Smith is not only a national treasure but every casting director’s go-to “old bat” (her...
Read MorePosted by Anna Sedda | 24th Apr 2019 | Festivals, Review, United Kingdom
Never had I felt such a terror. Not on the day of my wedding, nor the day of my most important job...
Read MorePosted by Aleks Sierz | 23rd Apr 2019 | London, Review, Theatre and Gender, United Kingdom
Caryl Churchill is a phenomenal artist. Not only has she written a huge body of work, but each...
Read MorePosted by Lyn Gardner | 21st Apr 2019 | Essay, London, Participatory Theatre, United Kingdom
You can read this article in French here. This series of articles, commissioned together...
Read MorePosted by Aleks Sierz | 20th Apr 2019 | London, Review, Theatre and Politics, United Kingdom
Theatre can give a voice to the voiceless — but at what cost? Abhishek Majumdar, who debuted at...
Read MorePosted by Aleks Sierz | 11th Apr 2019 | London, Review, United Kingdom
Every fairy tale is a cauldron of emotion. These are tales that steam with resentments flare-up in...
Read MorePosted by Jane Baldwin | 10th Apr 2019 | Boston, Review, Theatre and Politics, United Kingdom, United States of America
The National Theatre’s production of J.B. Priestley’s 1945 An Inspector Calls now playing at...
Read MorePosted by Aleks Sierz | 9th Apr 2019 | London, Review, United Kingdom
Contemporary British theatre loves time travel — and not just to the past. It also enjoys...
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