Kenneth Lonergan’s “The Starry Messenger” at Wyndham’s Theatre
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Mert Dilek | 22nd Jun 2019 | London, Review, Theatre and Science, United Kingdom
Dramatic representations of ennui often have an important decision to make at the onset of their...
Read MorePosted by Duška Radosavljević | 22nd Jun 2019 | Review, Russia, Russian Theatre - Featured, Russian Theatre Abroad, United Kingdom
Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
Read MorePosted by Aleks Sierz | 21st Jun 2019 | London, Review, United Kingdom
I’ve always been a bit sad that so many contemporary classics are so rarely revived. I have even...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Aleks Sierz | 17th Jun 2019 | London, Review, United Kingdom, United States of America
The word “Rustbelt” is really eloquent in its evocation of industrial decline. After all, rust is...
Read MorePosted by Aleks Sierz | 15th Jun 2019 | London, Review, United Kingdom
Since playwright Terence Rattigan’s rehabilitation in the early 1990s, after the comprehensive...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | Directing, London, Review, Theatre and Gender, United Kingdom
Githa Sowerby is the go-to playwright if you want a feminist slant on patriarchy in the industrial...
Read MorePosted by Aleks Sierz | 14th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
Read MorePosted by Rem Myers | 10th Jun 2019 | Boston, LGBTQ+ Theatre, Musical Theatre, United Kingdom
Pushing through the colored streamers that shield the doorway of the Plaza Theatre at the Boston...
Read MorePosted by Aleks Sierz | 5th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
Read MorePosted by Amy Toledano | 3rd Jun 2019 | London, Musical Theatre, Review, United Kingdom
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
Read MorePosted by Aleks Sierz | 1st Jun 2019 | London, Review, Theatre and Politics, United Kingdom
The rewriting of Ancient Greek myth offers a way of creating contemporary stories that have a deep...
Read MorePosted by Duška Radosavljević | 1st Jun 2019 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
A hit of the Edinburgh Fringe 2017, Selina Thompson’s one-woman show salt is on at the Royal Court...
Read MorePosted by Maeve Campbell | 30th May 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Drag auteur, Peaches Christ, has made their name as an adaptor of cult movies, directing the great...
Read MorePosted by Aleks Sierz | 28th May 2019 | London, Playwriting, Review, United Kingdom
Royal Court’s Artistic Director Vicky Featherstone’s commitment to staging a diversity of...
Read MorePosted by Aleks Sierz | 27th May 2019 | London, Review, United Kingdom
Most of the facts about the Atlantic slave trade are well known; what is less understood is how...
Read MorePosted by Kathy Foley | 26th May 2019 | Israel, Palestine, Review, Theatre and Politics, Transcultural Collaborations, United Kingdom, United States of America
Scenes from 71* Years is a play of remembrance showing a diasporic perspective on the Palestinian...
Read MorePosted by Mert Dilek | 26th May 2019 | London, Review, Theatre and Politics, United Kingdom
Something is tantalizingly amiss at the National’s Dorfman Theatre. There is a headset attached to...
Read MorePosted by Mert Dilek | 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read MorePosted by Aleks Sierz | 14th May 2019 | London, Review, United Kingdom
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026