“Every dollar is a soldier/With money you’re a dragon”: A Virtual Promenade between Two Migrant Fates
Running Aug 24-29 at the 2021 Edinburgh Fringe, Every dollar is a soldier/With money you’re a...
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United Kingdom
The Song Project, Royal Court
As its name suggests, The Song Project is more a collaborative experiment than a conventional...
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Stars from West End Stage Read “Broadway Baby,” Celebrating London Theatre Kids Week
Lionizing the vitalness of theatre and creativity, a star-studded virtual reading of a new...
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A Gathering of Absence: The Multimedia Performance of “Abandoned Shores / Negative Photographs”
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
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“Oleanna,” Arts Theatre
Before seeing this play, I decided to eat a steak. I thought I needed some extra strength. And it...
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Lucy McCormick’s “Life: LIVE!” at Battersea Arts Centre
I cannot imagine a better way to end one’s Covid-19 lockdown than to head to a Lucy McCormick show...
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“Hamlet”: A Play That Speaks to Pandemics Past and Present
I went to the theatre for the first time in 15 months to see the Theatre Royal Windsor’s new...
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“Walden” at The Harold Pinter Theatre
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...
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About “Outside In”
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
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About “Sweatbox” and “Blis-ta”
Although some theatres are tentatively reopening, the creative vigor of other companies is...
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“Harm” at The Bush Theatre
After months (and months) of watching theatre on screens large, medium, small and tiny, I...
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About “The Elephant in the Room”
Online performance, streamed instead of attended, has given theatre companies an immense amount of...
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“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
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“Tarantula” at the Southwark Playhouse
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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Be Creative with Your Videoconferencing, Make it Memorable, Make a Difference
On the 21st March 2020, I put out a simple message on my Facebook profile in response to the...
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About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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About “The Separation”
The camera can take you to places where the naked eye rarely goes. Like close. Very close. Close...
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About “Mum. Can You Hear Me?”
Over the past year we’ve become used to a variety of home theatre: recordings of live...
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Mark Ravenhill’s “Angela” on The Sound Stage
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
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