“Circa” at The Old Red Lion Theatre
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
Read MorePosted by Aleks Sierz | 28th Mar 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
There is a classic conflict in many gay plays: between characters who identify as gay (in the...
Read MorePosted by Aleks Sierz | 26th Mar 2019 | London, Review, United Kingdom
Okay, so this is the play that will be remembered for the character names that have unusual...
Read MorePosted by Matthew McMahan | 21st Mar 2019 | London, Review, United Kingdom
In the theatre, it is rare to see a dramatist get second billing to a director. Usually,...
Read MorePosted by Aleks Sierz | 16th Mar 2019 | London, Review, United Kingdom
Tom Hiddleston. What can I say? His career has sprinkled handfuls of stardust from the beginning:...
Read MorePosted by Aleks Sierz | 14th Mar 2019 | London, Review, United Kingdom
Fifteen-year-old Rory, a schoolgirl on the adventure of a lifetime, is puzzled. “Why,” she asks,...
Read MorePosted by Aleks Sierz | 12th Mar 2019 | London, Review, Theatre and Religion, United Kingdom
The events of 9/11 were a global wake-up call — and that includes theatre. In the wake of the War...
Read MorePosted by Aleks Sierz | 10th Mar 2019 | London, Review, Theatre and Politics, United Kingdom
In the medieval Mappa Mundi, which hangs in Hereford cathedral, the Garden of Eden is pictured at...
Read MorePosted by Aleks Sierz | 10th Mar 2019 | London, Review, United Kingdom
Whenever I hear the word “cosmopolitan” I think of Europe in the 1920s: German Expressionism,...
Read MorePosted by Aleks Sierz | 9th Mar 2019 | France, London, Review, United Kingdom
Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...
Read MorePosted by Aleks Sierz | 8th Mar 2019 | London, Review, United Kingdom
There is no doubt that Peter Shaffer’s Equus is a modern classic. But does that justify reviving...
Read MorePosted by Aleks Sierz | 7th Mar 2019 | London, Review, Theatre and Gender, United Kingdom
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
Read MorePosted by Aleks Sierz | 6th Mar 2019 | London, Review, United Kingdom
James Saunders is one of British theatre’s forgotten playwrights. Although he wrote some 70 plays...
Read MorePosted by Aleks Sierz | 2nd Mar 2019 | London, Review, Theatre and Gender, United Kingdom
Okay, let’s start with a definition: “Cougar: an older woman who actively seeks the casual, often...
Read MorePosted by Aida Rocci | 27th Feb 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
An empty room. A large table. 12 iPads, 12 note pads, and 12 name desk holders that designate “Juror” along with a number. That is the simple setting for The Justice Syndicate, a new piece by fanSHEN. This interactive play revolves around a jury deliberation on a high-profile sexual assault case.
Read MorePosted by Aleks Sierz | 22nd Feb 2019 | London, Review, United Kingdom
With Brexit and Northern Ireland constantly in the news, the timeliness of this play is not in...
Read MorePosted by Duška Radosavljević | 21st Feb 2019 | London, Review, United Kingdom
Some seventy-odd years ago, New Yorker Mary Orr wrote a short story for the Cosmopolitan magazine...
Read MorePosted by Aleks Sierz | 20th Feb 2019 | London, Review, United Kingdom
Gender fluidity should be fun—after all, it’s all about love. And love can take any shape it...
Read MorePosted by Aleks Sierz | 15th Feb 2019 | London, Review, United Kingdom
All hail Arthur Miller, chief of London’s modern revivals this year. Which is odd, given that 2019...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Aleks Sierz | 30th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
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