Greece Archives - The Theatre Times

Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”

Posted by Savas Patsalidis | 2nd Jan 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom

There are directors who have gotten us accustomed to treading on unconventional paths. They have...

Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution

Posted by Ivanka Apostolova Baskar | 2nd Jun 2025 | Directing, Greece, Interview

An interview with Wichi, a theatre director and actor, Athens, Greece Wichi was born in...

Culture Belongs To Humanity! Not To The Armies

Posted by Ivanka Apostolova Baskar | 12th Feb 2025 | Greece, Interview, Theatre and Politics

An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...

Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding

Posted by Ivanka Apostolova Baskar | 4th Apr 2024 | Greece, Interview, Management

An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...

More Equal Theatre-Making in Europe: Reflection on Creative Europe and Practical Difficulties from Multilingual Perspectives

Posted by Jeune Théâtre Européen Jeunes Publics | 29th Feb 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia

The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...

Multilingual Theatre For/With Young Audiences: On the Jeune Théâtre Européen Jeunes Publics Project

Posted by Kasia Lech | 28th Feb 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia

The growing levels of migration result in an increasing number of children across Europe growing...

“Report to an Academy”: To Be or Not to Be Human?

Posted by Emiliia Dementsova | 26th Apr 2023 | Adaptation, Greece, Review, Theatre and Politics, Theatre Olympics 2023

No matter how trends, themes, agendas and moods of society change, the focus of the study of art...

“Nora”: Present Continuous Hell

Posted by Emiliia Dementsova | 25th Apr 2023 | Adaptation, Greece, Review, Theatre and Gender, Theatre Olympics 2023

Get inside a woman’s head and, by understanding her, unravel the mystery of how the world...

You Came to See the Obscene?—”2020: Obscene”

Posted by Lisa Moravec | 13th Mar 2023 | Directing, Greece, Review, Theatre and Dance, Theatre and Gender

Alexandra Bachzetsis’s latest group performance, 2020: Obscene, estranges the word obscene from...

What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw

Posted by Kasia Lech | 28th Apr 2021 | France, Germany, Greece, News, Poland

Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...

As Fates Would Have It – What We Learn From Minor Players In Greek Tragedies And Hollywood Films

Posted by Elodie Paillard | 26th Feb 2020 | Essay, Greece, Theatre and Film

Many will be familiar with the looming presence of Oedipus or Antigone in Classical Greek tragedy....

Martin Sherman’s “Rose” in Athens

Posted by Antigoni Gaitana | 21st Feb 2020 | Acting, Greece, Review

She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.