“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
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Germany
Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts
It’s often stated that performing arts reflect changes in society. But how does this look when we...
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Sometimes I Feel Like I Feel Too Much
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
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What Comes After The Flight? Theatre and Migrant Life in Germany
The programmes of the 2017/2018 season are still defined by the theme complex “Migrant Life in...
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Syrian Dancers Perform Show About Refugees and Migration in Berlin
A group of Syrian dancers is going on tour across Germany with a show that tells of the plight...
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Thomas Ostermeier’s “Richard III” at BAM
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
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The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
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On Liberation And Progression – “Theatertreffen in Hong Kong”
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
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Theatre Of Remembrance: Geschichtliches Gefuhl
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
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Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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What (Good) Examples Of Digital Technology In Theatre Do You Know?
The Field Survey, Part 1: Seeing Summarizing the answers of the playful poll done at the...
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How Does The (Digital) Theatre Of The Future Look Like?
The Field Survey, Part 4: Dreaming What would you like to happen in the (near) future in relation...
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Experimental Arrangement In The “In Between”
Every two years, four cities in Franconia host an international puppet theater festival. A look at...
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Avignon Part 6: Frank Castorf’s “Die Kabale der Scheinheiligen. Das Leben des Herrn de Molière”
Based on 136 play The Cabal of Hypocrites by Mikhail Bulgakov, with additional texts by Pierre...
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How Can Digital Technology (Help) Attract New Audiences?
The Field Survey, Part 3: Opening Up Reaching and attracting new audiences with the help of...
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A Globalised Approach to Theatre-Making
The past weekend witnessed the culmination of a global theatre project at Theater Freiburg, an...
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“The Ridiculous Darkness” Is An Instruction Manual For Reality
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
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