‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
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France
Interview with Performance Artist Camille Boitel
Camille Boitel trained at an early age at Ecole de Cirque with Annie Fratellini, and then...
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A New Approach To Subtitling
Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Room to Dream: The Théâtre du Soleil at the Park Avenue Armory
If theater could save the world, it would no doubt do so under the exacting direction of Arianne...
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Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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“The State Of Siege” (L’état De Siège): A Political Warning
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
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The Making Of La Dramaturgie In France
The cover image of the January 1986 special issue of Théâtre/Public, “Dramaturgie,” offers a...
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My Translation Odyssey: Translating Alexandra Badea’s “The Pulverised”
Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...
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Supertitles Galore At The 2017 Avignon Festival: Necessary Or Not?
I’ve recently returned from the Avignon Festival where I’m sure I saw more shows with supertitles...
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“Seven Plays of Koffi Kwahulé: In and Out of Africa” Is Made Available To Anglophone Audiences
The work of renowned Ivoirian playwright Koffi Kwahulé has been translated into some 15 languages...
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In Memoriam: Adel Hakim
Adel Hakim was a French-Egyptian actor, playwright, pedagogue, and director. He was well-known for...
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“Between Man And Machine:” Biana Li’s Robotic Dance Show For Kids
Why We Recommend it Using pioneering technology and fun choreography, this multimedia dance show...
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Avignon Part 10. Dance Poem by Radhouane El Meddeb
Face à la mer, pour que les larmes deviennent des éclats de rire. Concept, dramaturgy,...
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Avignon Part 6: Frank Castorf’s “Die Kabale der Scheinheiligen. Das Leben des Herrn de Molière”
Based on 136 play The Cabal of Hypocrites by Mikhail Bulgakov, with additional texts by Pierre...
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Avignon: Symphonies of Pain Part 5 – “Memories of Sarajevo” and “Dans les Ruines d’Athènes”
Memories of Sarajevo and Dans les ruines d’Athènes are the two concluding parts of the tetralogy...
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Avignon: Symphonies of Pain Part 4 – Caroline Guiela Nguyen’s “Saigon”
In Saigon, Caroline Guiela Nguyen has created a four-hour theatrical tale based on the history of...
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Interview with Romain Guimard, Acrobat with the French Compagnie XY
The company of acrobats known as XY is touring the United States (Discovery Conservancy Green,...
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Dharma Drama: Peter Brook’s “Battlefield”
“An enemy is someone whose story you have not yet heard,” advised my dear friend Rabbi Arthur...
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