“Uprootedness Is Not Always Negative”: Nalini Malani
Nalini Malani has won the prestigious Joan Miró Prize for 2019, and she talks of her journey. One...
Read MorePosted by Ritika Kochhar | 29th Jul 2019 | India, Interview, Transmedia
Nalini Malani has won the prestigious Joan Miró Prize for 2019, and she talks of her journey. One...
Read MorePosted by Vikram Phukan | 29th Jul 2019 | India, Review, Theatre and Art
Still going strong at more than 80 shows in roughly ten years is Rangbaaz’s Bade Miyan Deewane, an...
Read MorePosted by Gowri S | 23rd Jul 2019 | India, Review, Theatre and Politics
The Auroville Theatre Group’s latest production adapts a searing drama of social injustice written...
Read MorePosted by Vikram Phukan | 10th Jul 2019 | India, Review, Theatre and Science
Their annual pilgrimages to Mumbai have perhaps already introduced theatre aficionados to Visual...
Read MorePosted by Geetha Venkataramanan | 27th Jun 2019 | India, Review, Theatre and Politics
What happens when an egoistic father of a middle-class family is brought down to earth? While the...
Read MorePosted by Diwan Singh Bajeli | 26th Jun 2019 | Essay, India, News, Playwriting
Rooted in Indian tradition, Girish Karnad’s plays will continue to converse with the...
Read MorePosted by Vikram Phukan | 24th Jun 2019 | India, News, Playwriting
For the theatre world, the passing of Girish Karnad has been nothing short of a giant tree...
Read MorePosted by Akarsh Khurana | 19th Jun 2019 | India, News, Producing
The elections are done. The results are out. Everyone has an opinion. Social media is buzzing with...
Read MorePosted by Vikram Phukan | 18th Jun 2019 | Immersive Theatre, India, Review
ArtNowThus, the intriguingly named new theatre group that is the brainchild of Ragini Singh...
Read MorePosted by Vikram Phukan | 17th Jun 2019 | India, Review, Theatre and Gender
The title of the Vijaydan Detha story, ‘Kenchuli’ literally means ‘the remains...
Read MorePosted by Satyasundar Barik | 11th Jun 2019 | Essay, India, Theatre and Politics
Members of theatre group Natya Chetana travel to villages teasing out stories from the everyday...
Read MorePosted by Poonam Trivedi | 6th Jun 2019 | Adaptation, Essay, India
The most striking aspect of Shakespeare in India today is that it seems to have at last got over...
Read MorePosted by Ranjani Rajendra | 29th May 2019 | India, News, Puppetry
Three-time National Award-winning puppeteer Dattatreya Aralikatte, on the evolution of the mudrika...
Read MorePosted by Parvathi Nayar | 27th May 2019 | India, News
The Chennai production promises a commentary on a war that is as relevant it was in 415 BC when...
Read MorePosted by A Sangameswaran | 22nd May 2019 | Acting, Essay, India, Theatre and Religion
Thespian Ammannur Kuttan Chakyar gave a scholastic presentation of Melpathur Narayana...
Read MorePosted by Vikram Phukan | 22nd May 2019 | Acting, Immersive Theatre, India, Review
Playing at the ongoing Damu Kenkre Smriti Mahotsav tonight is a fairly new production directed by...
Read MorePosted by Gowri S | 21st May 2019 | India, Interview, Transcultural Collaborations
International movement artist Jayachandran Palazhy feels that despite their so-called abstract...
Read MorePosted by Vikram Phukan | 20th May 2019 | Acting, India, Review, Translation
Writer-director, Mahesh Ruprao Ghodeswar’s Hero Alom pays homage to the mainstream cinema even...
Read MorePosted by Prabalika M. Borah | 13th May 2019 | Adaptation, Directing, India, News
Director Tarique Hameed on why Dastaan Narration Form is the best way to narrate the story of Topi...
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