Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
Read MorePosted by David O'Donnell | 29th Jan 2026 | Festivals, Hawaii, New Zealand, Theatre and Decolonization, Transcultural Collaborations
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
Read MorePosted by Kuan-Ting Lin | 19th Nov 2025 | Interview, Playwriting, Taiwan, Theatre and Decolonization
Ihot Sinlay Cihek is a Taiwan-based Pangcah theatre artist whose work confronts the intersecting...
Read MorePosted by Aleks Sierz | 30th Oct 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
In 2023, Malaysian actor Michelle Yeoh won the Best Actress Oscar for her performance in...
Read MorePosted by Amir Al-Azraki | 3rd Aug 2025 | Essay, Iraq, Theatre and Decolonization
Inherited Voices: A Theatre of Borrowed Authority Recently, I’ve found myself drawn to a popular...
Read MorePosted by Aleks Sierz | 26th Feb 2025 | London, Playwriting, Review, Theatre and Decolonization, United Kingdom
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
Read MorePosted by Aleks Sierz | 20th Jan 2025 | Adaptation, London, Review, Theatre and Decolonization, United Kingdom
Is resilience the most powerful character trait? When you think about the suffering of the...
Read MorePosted by David O'Donnell | 15th Oct 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part III, click here. Men –...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
It might seem that the indefinitely prolonged Covid epidemic, which contributed to the...
Read MorePosted by Yizhou Zhang | 5th Sep 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read MorePosted by Giulia Casalini | 19th Jun 2024 | Austria, Review, Theatre and Decolonization
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
Read MorePosted by Deniz Bașar | 15th May 2024 | Essay, Theatre and Decolonization, Turkey
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
Read MorePosted by Sakina Mirichii | 30th Nov 2023 | Essay, Kenya, Theatre and Decolonization
In recent years, there has been a growing movement towards promoting and preserving indigenous...
Read MorePosted by Rhiannon Ling | 20th Nov 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MorePosted by Aleks Sierz | 18th Oct 2023 | India, London, Review, Theatre and Decolonization, Theatre and Politics, United Kingdom
Anniversaries are great moments for reassessment. Ten years ago, the Royal Shakespeare Company...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Kopano Masibi | 29th Sep 2023 | Devised Theatre, Review, South Africa, Theatre and Decolonization
At the University of Pretoria, South Africa’s Student Gallery, I was met with the open space of...
Read MorePosted by The Hindu | 20th Sep 2023 | India, News, Theatre and Decolonization, Theatre and Gender, Worldwide
Mangri Orang, a tea plantation worker, was gunned down by British security personnel in 1921 for...
Read MorePosted by Rhiannon Ling | 26th Jul 2023 | Devised Theatre, Editorial, New York, Theatre and Decolonization, United States of America
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
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