From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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Playwriting
Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part II
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
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Conversation with Simon Stephens About Teaching Playwriting – Part 2
For Part 1, click here. Ana: I really wanted to interview you because I think what is outstanding...
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Rural America: Where Sam Shepard’s Roots Ran Deepest
When Sam Shepard died on July 27 the world lost one of the greatest playwrights of the past...
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In Conversation With Simon Stephens About Teaching Playwriting – Part 1
As part of the research to write my book The Global Playwriting Workbook (Methuen Drama), I have...
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“The Land Has a Hold on Us” A Look at Theatr Genedlaethol Cymru’s New Production “Hollti”
The New Wylfa construction remains a controversial subject and one that sparks intense debate. In Hollti, audiences are offered a sensual journey through a land torn over the prospect of an exciting, if not frightening change.
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Collective Playwriting: A European Experience
The EU Collective Plays project is arguably the most ambitious new play project in the history of...
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An Interview With Dima Levytskyi, Post-Dramatic Writer
Theatrical season of 2016-2017 finally brought post-dramatic theater to Ukraine. With a...
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“The Ridiculous Darkness” Is An Instruction Manual For Reality
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
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Review: Ensemble Studio Theatre 1-Act Marathon, Series B
Ensemble Studio Theatre’s annual Marathon of One-Act Plays is in full swing this month in New...
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Dramatizing Argentina’s Dirty War: An Interview with Marisela Treviño Orta
While working on her MFA in Writing from the University of San Francisco, playwright Marisela...
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Review: Xameleon Theatre–Chekhov’s Vision Of “Love In A Nutshell”
Xameleon Theatre treats London audiences to a new insight into the life and works of Chekhov in...
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“WAGAS!” or Virgin Labfest 13 at the Cultural Center of the Philippines Opens on 28 June
The Cultural Center of the Philippines (CCP), in partnership with its resident theater company...
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Contemporary Estonian Drama
Land of Drama With almost one million theatre visits per year from a population of only 1.3...
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Stories of Diversity: An Interview with Martyna Majok
Martyna Majok is a young playwright whose new play, Cost of Living, has just opened in a Manhattan...
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“D’Annunzio Segreto”: A Renovating Portrait of a Celebrity
Can a staging improve the knowledge of the life of a celebrity, revealing the most intimate...
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Sense of Crisis: An Interview with Robert Schenkkan
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
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Remembering The Genius of Japanese Playwright Yukio Ninagawa
On May 12 last year, theater fans all over the world began mourning the death of one of Japan’s...
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The Latinx Play Project: Building a Movement in Ashland
On April 27-29, Oregon Shakespeare Festival (OSF) welcomed Latinx theatre artists and advocates to...
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The Great Australian Plays: Sex, Poetry and “The Chapel Perilous”
When she died in 2002, The Age hailed Dorothy Hewett as “the grande dame of Australian literature”...
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