LGBTQ+ Theatre Archives - Page 7 of 7

“Of Kith And Kin” at The Bush Theatre

Posted by Aleks Sierz | 29th Oct 2017 | LGBTQ+ Theatre, London, Review, United Kingdom

A new baby is like an alien invasion: it blows your mind and it colonizes your world. For any...

Transsexual Theatre: Two Brave New Edinburgh Plays Tell of Harrowing Journeys

Posted by Sylvia Morgan | 24th Aug 2017 | LGBTQ+ Theatre, Scotland, Theatre and Gender, United Kingdom

The struggle for transgender people is a leading theme at this year’s Edinburgh Fringe thanks to two shows from the National Theatre of Scotland, Adam and Eve. The shows begin in different times and places, but both are about...

Ponyboy Curtis’ “Vs” at Yard Theatre

Posted by Aleks Sierz | 26th Jun 2017 | LGBTQ+ Theatre, Review, United Kingdom

Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...

Boylesque Redefines Burlesque and Masculinity

Posted by Gina Robilliard | 18th Jun 2017 | Australia, LGBTQ+ Theatre

Burlesque is an art form that has polarized Western society for centuries. In his 1991 publication...

“Only Heaven Knows” Brings 1940s Queer Sydney Roaring Back to Life

Posted by Leigh Boucher | 7th Jun 2017 | Australia, LGBTQ+ Theatre, Melbourne, Musical Theatre

Only Heaven Knows, a musical about a young Melbourne man who discovers the queer delights of...

Lucy McCormick’s “Triple Threat” Is The Nativity Reimagined, With LGBT Club Culture, Vibrators, And Lady Gaga

Posted by Michael Segalov | 23rd May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom

Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...

Sex, Death, and Gender Fluidity in Wilde’s “Salomé” at Royal Shakespeare Company

Posted by Holly Williams | 20th May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom

Salomé: one of the most dangerously seductive female figures ever, often considered the original...

Collusion of Cultures in Neil Coppen’s “BuiteLand”

Posted by Wim Vorster | 9th May 2017 | LGBTQ+ Theatre, South Africa

Now and then a stage production is mounted supplying more than entertainment, albeit intellectual...

“Sensuality of Action”: Paula Vogel’s “Indecent” on Broadway

Posted by Richard Vetere | 5th May 2017 | LGBTQ+ Theatre, New York, United States of America

Indecent is the new play by Pulitzer Prize-winning playwright Paula Vogel, belated making her...

Queer Chronopolitics: Forests, Freaks and Performativity

Posted by Göksu Kunak | 25th Apr 2017 | Africa, Egypt, LGBTQ+ Theatre

The term ‘freak’ thus refers not only to bodies, but also to denormalizing social...

“Clara” Boasts A Closet Full Of Surprises

Posted by Victoria Eandi | 19th Mar 2017 | Argentina, LGBTQ+ Theatre

How can a play about a serious matter such as a fatal illness turn into a hilarious comedy and a...

PETA’s “The Care Divas” and The Ethics of Care

Posted by Sir Anril Pineda Tiatco | 11th Mar 2017 | LGBTQ+ Theatre, Musical Theatre, Philippines

First staged in 2010 at the Philippine Educational Theater Association (PETA) Theater Center in...

Heterosexual Dystopia in “The Love That Dare Not Speak Its Name”

Posted by Alex First | 13th Dec 2016 | Australia, LGBTQ+ Theatre, Review

Bold and provocative, directed by Sarah Vickery.Thomas Ian Doyle’s latest work – The Upstairs...

Despite Bomb Threats, “Out of The Blue” Plays On (Internationally)

Posted by Robert Duffley | 22nd Oct 2016 | LGBTQ+ Theatre, News, Russia

Out of the Blue, currently playing at Moscow’s Satirikon Theater, is restricted to ages 21...

Krzysztof Warlikowski’s Queer Interventions

Posted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland

In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...

Taiwanese Experimental and Queer Theater: Always Political, Always Queer

Posted by KaiChieh Tu | 4th Sep 2016 | Essay, LGBTQ+ Theatre, Taiwan

Taiwan is currently celebrating vibrant queer scenes (one of the biggest Pride in Asia) and a...

Caryl Churchill’s “Pigs and Dogs” at the Royal Court Theatre

Posted by The Theatre Times | 2nd Aug 2016 | LGBTQ+ Theatre, Review, United Kingdom

Caryl Churchill’s new 10-minute play, Pigs and Dogs, just opened at the Royal Court Theatre, under...

Review: “Cock”

Posted by Stuart Richards | 16th Feb 2014 | Australia, LGBTQ+ Theatre, Review

British playwright Mike Bartlett’s contemporary comedy of manners Cock opened on the Melbourne...

I Want You Out Of My Sight: “Rainbow Stand 2012” and LGBTQ Rights in Poland

Posted by Joanna Jopek | 26th Aug 2012 | Essay, LGBTQ+ Theatre, Poland

In an interview following Strzępka and Demirski’s receipt of the Polityka Passport Pawel Demirski...

LGBTQ+ Theatre

“Of Kith And Kin” at The Bush Theatre

Transsexual Theatre: Two Brave New Edinburgh Plays Tell of Harrowing Journeys

Ponyboy Curtis’ “Vs” at Yard Theatre

Boylesque Redefines Burlesque and Masculinity

“Only Heaven Knows” Brings 1940s Queer Sydney Roaring Back to Life

Lucy McCormick’s “Triple Threat” Is The Nativity Reimagined, With LGBT Club Culture, Vibrators, And Lady Gaga

Sex, Death, and Gender Fluidity in Wilde’s “Salomé” at Royal Shakespeare Company

Collusion of Cultures in Neil Coppen’s “BuiteLand”

“Sensuality of Action”: Paula Vogel’s “Indecent” on Broadway

Queer Chronopolitics: Forests, Freaks and Performativity

“Clara” Boasts A Closet Full Of Surprises

PETA’s “The Care Divas” and The Ethics of Care

Heterosexual Dystopia in “The Love That Dare Not Speak Its Name”

Despite Bomb Threats, “Out of The Blue” Plays On (Internationally)

Krzysztof Warlikowski’s Queer Interventions

Taiwanese Experimental and Queer Theater: Always Political, Always Queer

Caryl Churchill’s “Pigs and Dogs” at the Royal Court Theatre

Review: “Cock”

I Want You Out Of My Sight: “Rainbow Stand 2012” and LGBTQ Rights in Poland

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest