Anthony Burgess’ “A Clockwork Orange” at Park Theatre
There are few modern literary fables that really resonate in the wider culture. And most that do...
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La La Land: Musicals, Nostalgia, and Escaping Reality
The death of the film musical has regularly been announced, for almost as long as there have been...
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Theatre Between Old and New Technology: Conversation With Tomáš Procházka of Handa Gote
Interview with Tomáš Procházka, one of the founding members of the Czech performing arts group...
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“Years of Sunlight” at Theatre 503
The new writing year has started slowly. Apart from a couple of obscure fringe shows, there have...
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A Discussion With Peter Brombacher: Acting And The Importance Of The Ensemble
An interview with the actor Peter Brombacher, actor and a permanent member of the Münchner...
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“Little Emperors” Brings China’s One-Child Policy to the Stage
China’s one-child policy officially ended in 2016. Little Emperors, currently showing at...
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Innovative Kathakali Artists Take the Stage in Palakkad
The staging of Nalacharitham Onnam Divasam in Palakkad had some pleasant surprises in store for...
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“Dubailand” – A Story About Globalization and Social Justice
Young British writers are often surprisingly unadventurous when it comes to locating their plays...
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Latin America Theatre Anthology Is Available Online
Latin America Theatre Anthology: 78 Plays, Biographies, and Historical-Cultural Introductions....
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Emma Dante Renews the Italian Teatro di Regia (Director-led Theatre)
Teatro Argentina in Rome is currently sold out for the run of Odissea a/r, the new show by Palermo...
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Plays Written In ‘Show Ghetto’ Offer New Insight Into Experience of the Holocaust
The film Denial, which opened in the U.K. on Holocaust Memorial Day, tells the story of author...
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“Champion” – Scenes From a Boxer’s Life, A New Opera
In an inviting, Frank Lloyd Wright-designed venue, New Yorkers finally got a sampling of Champion,...
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“The Game We All Play” at Teatro Milán
The Game We All Play is composed of a series of sketches that have comedic, tragic, and even...
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A New Form Of Theatre Consumption Aims To Revolutionize The World Of Theatre
The way media is produced and consumed has been transformed in the past decade or so thanks to...
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Death on the Rialto: Wallace Shawn’s “Evening at the Talk House”
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
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Theatre: Moscow’s Acclaimed Sovremennik Theatre Returns To London
Sovremennik Theatre (Russia’s oldest theatre company) makes a welcome return to London this May,...
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Notes On the (Pop) Avant-Garde in China
Obituaries for the avant-garde proliferate. Critics, academics and cultural observers in the...
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Home Is where the He(art) Is: Flatfoot Dance Company’s “Home” Trilogy
Durban, South Africa. Flatfoot Dance Company’s Home trilogy created and presented at different...
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Roland Schimmelpfennig’s “Winter Solstice” Probes the Lure of Fascism
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
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Headlong Theatre’s “1984”: Orwell’s Nightmare or a Smug Satire for The Inner Party?
Orwell’s novel 1984 is currently a bestseller in the U.S. We can soon expect many...
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