Edinburgh Festival Fringe 2025: Provisional Futures in a World on Fire
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MorePosted by Daniel Meyer-Dinkgräfe | 25th Aug 2025 | Festivals, Germany, Review
In 1997, an association was founded in the German city of Verden on the river Aller, located...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MorePosted by Daniel Meyer-Dinkgräfe | 24th Aug 2025 | Festivals, Germany, Review
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MorePosted by Aleks Sierz | 23rd Aug 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Science, United Kingdom
Out of the many venues at the Edinburgh Fringe Festival, Summerhall Arts is one that shines for...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Australia, Edinburgh 2025, Review, United Kingdom
Summerhall, one of Edinburgh’s busiest venues, known for its innovative, cutting-edge programme,...
Read MorePosted by Maria Delgado | 18th Aug 2025 | Finland, France, Review, Tampere Theatre Festival 2025
There are shows that may, on the surface, feel wafer thin, shows where nothing much seems to...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
As I read the title of Jonny Woo’s latest show, Suburbia, I wondered how this celebrated...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, Scotland, Theatre and Gender
Playing at the Scottish Storytelling Centre during the Edinburgh Fringe Festival, Cassandra,...
Read MorePosted by Margaret Rose | 14th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Here at the Edinburgh Fringe, as well as Gary McNair’s A Gambler’s Guide to Dying, I caught the...
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