Review Archives - Page 27 of 138

With “My Self in That Moment” Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age

Posted by Miriama Young | 20th Sep 2022 | Australia, Design, Musical Theatre, Review, Transmedia

Review: My Self in That Moment, directed by Tamara Saulwick for Chamber Made. In his visionary...

Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.

Posted by Michelle Arrow | 19th Sep 2022 | Adaptation, Australia, Review, Theatre and Disability

Review: Tell Me I’m Here, directed by Leticia Cáceres, Belvoir. Released in 1991, the memoir Tell...

“Who Killed My Father,” Young Vic

Posted by Duška Radosavljević | 16th Sep 2022 | Adaptation, Design, London, Netherlands, Review, United Kingdom

‘If this were a text for the theatre, here is how it would begin’ – these are the opening words of...

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

Posted by Huw Griffiths | 13th Sep 2022 | Acting, Adaptation, Australia, Review

Review: Strange Case of Dr Jekyll and Mr Hyde, directed by Kip Williams for Sydney Theatre Company...

“Flo & Joan,” Lund Comedy Festival

Posted by Duška Radosavljević | 10th Sep 2022 | Festivals, Musical Theatre, Review, Sweden, United Kingdom

Here’s a few things to start with. Following my recent relocation from London to the Swedish...

“When God Kicks You In The Womb,” The Artist is Born

Posted by Emilija Kvočka | 5th Sep 2022 | Design, Directing, Review, Serbia

Performance “When God Kicks You In The Womb”, based on the novel by Ildiko Lovaš, is a...

“The Drawer Boy” and Another Way of Telling History

Posted by Barbara Gabriel | 2nd Sep 2022 | Canada, Directing, Festivals, Review

The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...

Haunted History in Cottage Country: “Cottagers and Indians”

Posted by Barbara Gabriel | 1st Sep 2022 | Canada, Festivals, Review, Theatre and Decolonization

Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be...

“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!

Posted by Azadeh Kangarani | 28th Aug 2022 | Design, Musical Theatre, Review, United States of America

I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...

Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”

Posted by Morgan Skolnik | 26th Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...

“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre

Posted by Rhiannon Ling | 22nd Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America

I went to theatre school. Know this before reading on. I went to theatre school, trained as an...

“Chasing Hares” at the Young Vic

Posted by Aleks Sierz | 14th Aug 2022 | India, London, Playwriting, Review, Theatre and Politics, United Kingdom

While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...

Honey, I’m Home! — Robert Icke’s “Oresteia”

Posted by Jonathan Kalb | 13th Aug 2022 | Adaptation, Directing, New York, Review, United States of America

If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...

“The Cherry Orchard,” Portland Experimental Theatre Ensemble

Posted by Justine Nakase | 12th Aug 2022 | Adaptation, Design, Review, Russian Theatre Abroad, United States of America

What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...

Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”

Posted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America

Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...

Sacrament of the Sea: Houseworld’s “Bottom of the Ocean”

Posted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America

Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...

Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival

Posted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review

Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I

Posted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion

I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...

“The Hour of Death,” Bokshi Theatre Company

Posted by Florida Kastrati | 5th Aug 2022 | Applied Theatre, Kosovo, Review, Theatre and Politics

Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...

About “Dog/Actor” at the Etcetera Theatre

Posted by Aleks Sierz | 4th Aug 2022 | Playwriting, Review, Theatre and Politics, United Kingdom

Yesterday evening I went to see Dog/Actor at the Etcetera Theatre in Camden. Written by Steven...

Review

Belvoir’s “Tell Me I’m Here” Looks at the Impact of Mental Illness on the Whole Family. It is a Wrenching and Beautiful Work.

“Who Killed My Father,” Young Vic

A Production to Satisfy Sydney’s Darkest Imaginings: Sydney Theatre Company’s “Strange Case of Dr Jekyll and Mr Hyde”

“Flo & Joan,” Lund Comedy Festival

“When God Kicks You In The Womb,” The Artist is Born

“The Drawer Boy” and Another Way of Telling History

Haunted History in Cottage Country: “Cottagers and Indians”

“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!

Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”

“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre

“Chasing Hares” at the Young Vic

Honey, I’m Home! — Robert Icke’s “Oresteia”

“The Cherry Orchard,” Portland Experimental Theatre Ensemble

Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”

Sacrament of the Sea: Houseworld’s “Bottom of the Ocean”

Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I

“The Hour of Death,” Bokshi Theatre Company

About “Dog/Actor” at the Etcetera Theatre

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