“Casablanca:” We’ll Always Have the Radio!!!
Gone are the days when, on a cold winter night, the family gathered around a fire to listen to the...
Read MorePosted by Kennedy Fiorella | 8th Jan 2020 | Adaptation, Canada, Review
Gone are the days when, on a cold winter night, the family gathered around a fire to listen to the...
Read MorePosted by Aleks Sierz | 7th Jan 2020 | London, Review, United Kingdom
Family dramas are a staple of British new writing, but as well as talking about our nearest and...
Read MorePosted by Nobuko Tanaka | 7th Jan 2020 | Japan, Musical Theatre, News, Transcultural Collaborations
As the curtain falls on 2019’s theater scene in Japan, a continuing rise in the popularity of...
Read MorePosted by Ati Metwaly | 6th Jan 2020 | Egypt, Festivals, News, Tunisia
Egyptian play Collar and Bracelet, directed by Nasser Abdel-Moneim, won the best performance at...
Read MorePosted by Clement Lee | 6th Jan 2020 | Adaptation, Dramaturgy, Essay, Hong Kong, Theatre and Opera
This excerpt of the article is originally written in Chinese by the author. Full article will be...
Read MorePosted by Darie Ducan | 5th Jan 2020 | Adaptation, France, Review
Rhinoceros (1959) is one of Eugène Ionesco’s best-known plays, one of the plays with which the...
Read MorePosted by Aprameya Manthena | 5th Jan 2020 | India, LGBTQ+ Theatre, Review, Theatre and Dance
Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai,...
Read MorePosted by Simon Cartledge Zolima CityMag | 4th Jan 2020 | Essay, Hong Kong, Theatre and Dance
If anyone is responsible for Hong Kong’s contemporary dance scene, it’s Willy Tsao. Forty years...
Read MorePosted by Victoria Zavyalova | 4th Jan 2020 | Adaptation, New York, Review, Russian Theatre Abroad, Transcultural Collaborations, United States of America
A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
Read MorePosted by Sarah Magill | 3rd Jan 2020 | Devised Theatre, Poland, Review
In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed...
Read MorePosted by David O'Donnell | 3rd Jan 2020 | Adaptation, LGBTQ+ Theatre, New Zealand, Review
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
Read MorePosted by Wendy Arons | 2nd Jan 2020 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but...
Read MorePosted by Ati Metwaly | 1st Jan 2020 | Egypt, Festivals, Interview
Alaa Abdel Aziz, president of the Alexandria Arab Theatre Festival for Specialised Institutes and...
Read MorePosted by Mustafa Habib | 1st Jan 2020 | Iraq, News, Theatre and Politics
A group of young volunteers in northern Iraq produced the slick Bella Ciao music video because...
Read MorePosted by Takudzwa Chihambakwe | 31st Dec 2019 | Interview, Zimbabwe
She is daring, adroit and has amazing stage presence. Whenever she is part of the cast, she gets...
Read MorePosted by Christiane Jatahy | 31st Dec 2019 | Brazil, Interview, Theatre and Film
Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two...
Read MorePosted by Alastair Blanshard | 30th Dec 2019 | Australia, Review, Theatre and Opera
Orpheus and Eurydice, directed by Yaron Lifschitz, Queensland Performing Arts Centre. The story of...
Read MorePosted by Gowri S | 30th Dec 2019 | India, Review, Theatre and Politics
Animal characters are protagonists in Crea-Shakthi’s latest take on The Ramayana. Nala and Nila,...
Read MorePosted by Sandra D'urso | 29th Dec 2019 | Australia, Melbourne, Review
To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
Read MorePosted by Anna Maria Monteverdi | 29th Dec 2019 | Essay, Theatre and Art, Theatre and Science, Transmedia
Architectural mapping, façade projection, 3D projection videomapping, display surfaces,...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
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