Belarus Free Theatre: An Interview With “Red Forest” Director Nicolai Khalezin
Nicolai Khalezin is the director of the Belarus Free Theatre’s newest production Red Forest. He...
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Featured
Hugo Weaving Reveals Macbeth’s Weakness–And His Unhappiness
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
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The Palestinian Performing Arts Network
The Palestinian Performing Arts Network Programme (PAN) is targeted at Palestinian children and...
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Translating “One Flew Over the Kosovo Theatre”
This post was written exclusively for TheTheatreTimes.com by political analyst Alexandra Channer,...
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“Medea” Is As Relevant Today As It Was In Ancient Greece
A new production of Medea recently opened at London’s National Theatre to critical acclaim. This...
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LMDA 2014 Showcases Digital Theater Networks
The Literary Managers and Dramaturgs of the Americas (LMDA) convened the last week of June 2014 at...
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Romeo, Juliet, Viola, And Will: “Shakespeare In Love” Mash-Up Hits The Stage
I don’t really go in for creative mash-ups. You know: Alien Vs. Predator, or the films where...
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Cath Day Reviews David Schneider’s “Making Stalin Laugh”: At JW3
David Schneider is probably most recognizable as BBC commissioning editor Tony Hayers in I’m Alan...
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How Online Performance Needs to Grow
This post discusses the emergence and evolution of digital art and online performance in the...
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Bringing Children’s Stories Out Of The Shadows
There are over 200 theaters in Moscow. In addition to the traditional drama and music theaters,...
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“Henry V” Meets The London Blitz And Brings The House Down
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
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Between Art and Science: A Conversation with Roald Hoffmann
Roald Hoffmann was born in 1937 in Złoczów, Poland. Having survived the German Nazi occupation, in...
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Robin Ashenden Reviews “Bloody East Europeans” By Uilleam Blacker And Molodyi Teatr
In Warwickshire a year ago, a fish-farmer was reported in the newspapers as putting a sign up by...
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“Opus No.7” By Krymov To Be Performed In London
Director and artist Dmitry Krymov’s production of Opus No.7, about the Holocaust and the...
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Treading A Fine Line: The Return Of Politics To Russian Theater
After a long period in which Russian theater productions avoided political themes, the last few...
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Sailing Theater To Embark On Odyssey Around Europe
A theatrical event that recently kicked off in St. Petersburg is to set sail on an unusual voyage....
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Natalya Vorozhbit Writes Verbatim “Maidan” Play
Natalya Vorozhbit is Ukraine’s leading playwright and co-author of Maidan: Voices from the...
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SiGledal – Slovenian Theatre Portal
Now in its 7th year, SiGledal is the only Slovenian theatre web portal that provides information...
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Bard Labour: Doing Time With The Shakespeare Prison Project
Since 2006, I have led the Shakespeare Prison Project, an initiative by the Queensland Shakespeare...
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Natal’ya Vorozhbit’s “Voices Of The Uprising”
Before Maidan events faded from people’s memories, playwright Natal’ya Vorozhbit brought the...
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