Olivier Kemeid’s “The Aeneid” at Stratford Festival
In today’s political, economic and social climate, with mass migration turning into a new norm, it...
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“A Mexican Trilogy: An American Story” at The Los Angeles Theatre Center
A Mexican Trilogy: American Story is showing at The Los Angeles Theatre Center from September 8...
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“Perfume” Spotlights Challenges of Hearing-Impaired in Egypt
Perfume is probably the first play ever to be staged on the topic of the problems of people who...
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Kyôgen Comedies’ Embedded Dramaturgy: 13 Lessons for Theater Practitioners
Kyôgen (狂言) are short, stylized comedies performed between somber masked-dance noh (能) for over...
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Genius Refound – “The Other Mozart”
A prodigy, a scholar, and an artist determined to break out of a mold, Maria Anna Mozart found her...
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“Mamá te voy a demandar” (Mother, I’m Going to Sue You) at Teatro Milan
Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...
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Blast Theory on “a Mission to Maintain a Sense of Liveness and Participation”
The Brighton-based Blast Theory is one of the world leading interactive performance companies that...
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“Loretta,” A Play About Indianness and Identity
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
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Interview with Thomas Ostermeier: “Every Generation Writes its Own Shakespeare”
Thomas Ostermeier, a German theatre director, working for the Schaubühne, is known for his...
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Simon Starling and Graham Eatough: “At Twilight: A Play for Two Actors, Three Musicians, One Dancer, Eight Masks (and a Donkey Costume)”
Set in the leafy grounds of Holmwood House in Glasgow’s Southside, Simon Starling and Graham...
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The 16th Mobarak International Puppet Theatre Festival, Tehran, August 2016
Iran hosted the 16th Mobarak International Puppet Theatre Festival from August 22 to August 28,...
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Ahmed El-Attar’s “The Last Supper” Returns to Cairo’s Falaki Theatre
The Last Supper, a play by Ahmed El-Attar, which magnifies the absurdity of modern upper-class...
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Sequins and Symphonies: How Opera Ran Away With the Circus
Circus has always shamelessly borrowed from other performance forms. It has coopted all types of...
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DramAcum Movement in New Romanian Theater
In key historical moments, theater, as the most political of all arts, is one of the best ways to...
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Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi
With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....
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Brecht’s “Mother Courage” at Cairo’s Miami Theatre
The play El-Om El-Shogaa (Mother Courage) opened in Miami Theatre in Cairo on 4 September. The...
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South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin
In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...
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Review: “Burning Doors”(Belarus Free Theatre) – “Incinerating The Line Between Performance And Real Life”
Incinerating the line between performance and real life, Belarus Free Theatre’s Burning Doors...
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Thomas Manuel Wins The Hindu Playwright Award 2016 for His Play “Hamlet and Angad”
Thomas Manuel was one of three shortlisted playwrights, the other two being Meera Sitharaman for...
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Good Dramaturgy Is Invisible: Friedrich Schirmer, Marcus Grube & Judith Engel
What can good dramaturgy achieve? For the presentation of the Marie Zimmermann Fellowship for...
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