“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre
On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...
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Mark Bly in conversation with Katalin Trencsényi: “Questioning Spirit”—Dramaturgy in America
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting...
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Absurdist, Poignant Slapstick in “En Avant, Marche!”
David Berthold’s 2016 Brisbane Festival aims to connect artists and audiences in ways that disrupt...
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Taiwanese Experimental and Queer Theater: Always Political, Always Queer
Taiwan is currently celebrating vibrant queer scenes (one of the biggest Pride in Asia) and a...
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An Actor’s Future-Not Even Television Will Save Them
In Spain, as everywhere, working in your trade—and not any other area—is not easy for everyone. Only forty-six actors and actresses out of a hundred could find work between 2014 and 2016. And almost a third of the acting professionals live under the poverty threshold and almost two thirds move between meager and just decent earnings.
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Why We Need to Remember How to Forget
Three US neuroscientists published a case study in 2005 detailing how a woman, AJ, was plagued by...
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Emilio Carballido’s play “Yo también hablo de la rosa” Coming to Washington D.C.
Showing at the Teatro Hispano GALA in Washington, D.C. from February 2nd until the 26th, 2017 and...
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Korean Theatre in the First Half of 2016: New Works
Compared to productions of Western or Korean classics, Broadway revivals or original musicals,...
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Pushkin and Chekhov Stagings to Be Shown in US and Canada Cinemas
Productions of Moscow’s leading theaters will be shown in cinemas all over the U.S. and...
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Bucharest International Theater Platform Prepares for Its 3rd Edition
The October 2016 edition of the Bucharest International Theater Platform will bring to Romania’s...
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Interview with Bear Bellinger
Bear Bellinger is a total babe. The Chicago-based actor was recently nominated for a Time Out...
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Decentring Dance Dramaturgy
Multiple approaches in contemporary performance and in dance performance, in particular, are part...
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The Turn Of The 20th And 21st Century: New Thinking, New Language, New Dance
The emergence of modern dance groups in Belarus was caused by perestroika and social and political...
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South African Arts Festivals Today
In 1999, working with colleagues from the Theatrical Event Working Group of the International...
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Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
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The Avignon Festival Chronicles Part I
Once a year the small but charming city of Avignon in Southern France becomes the biggest, most...
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Angelica Liddell Returns to Avignon for the 70th Edition of the Festival
Angelica Liddell (Figueres, Spain, 1966) is one of the most innovative and exciting figures in...
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The Alexandrinsky Theater: Still Pushing Cultural Boundaries at 260
St. Petersburg’s storied Alexandrinsky Theater and its well-known artistic director Valery Fokin...
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Artistic Exchange Between Netherlands and Brazil
Rio de Janeiro hosted many interesting events in the last months. One of them was HOBRA – Artistic...
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The Theatre of Carolina Virgüez
Carolina Virgüez Serrato arrived at Rio de Janeiro in the early 80’s and knew she wouldn’t be...
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