Sense of Crisis: An Interview with Robert Schenkkan
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
Read MorePosted by Jack Wernick | 26th May 2017 | Interview, New York, Playwriting, Theatre and Politics, United States of America
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
Read MorePosted by Cheng-Han Wu | 25th May 2017 | Boston, Directing, Interview, United States of America
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
Read MorePosted by Esther Boldt | 15th May 2017 | Germany, Interview
Criticism is currently booming in Germany. Many symposia are devoted to it, as, for example, the...
Read MorePosted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Barbara Behrendt | 28th Apr 2017 | Acting, Germany, Interview
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
Read MorePosted by Andrew Edwards | 27th Apr 2017 | Dramaturgy, Interview, Scotland, Theatre for Young Audiences, United Kingdom
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
Read MorePosted by The Theatre Times | 24th Apr 2017 | Argentina, Interview, Poland, Polish Theatre Abroad, Theatre and Opera, Transcultural Collaborations
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
Read MorePosted by Veronica Stewart | 20th Apr 2017 | Argentina, Directing, Interview
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
Read MorePosted by Irene Kukota | 1st Apr 2017 | Interview, Russia, United Kingdom
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
Read MorePosted by Marcos García Barrero | 30th Mar 2017 | Immersive Theatre, Interview, Spain
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
Read MorePosted by Tomasz Wiśniewski | 29th Mar 2017 | Directing, Interview, Poland
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
Read MorePosted by Fadi Fayad Skeiker | 26th Mar 2017 | Germany, Interview
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
Read MorePosted by Jessica Rizzo | 21st Mar 2017 | Devised Theatre, Directing, Interview, New York, United States of America
An originator of the Viewpoints system of training for actors and founder of SITI company,...
Read MorePosted by Ágnes Bakk | 20th Mar 2017 | Germany, Interview, Transmedia
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
Read MorePosted by Tomasz Wiśniewski | 17th Mar 2017 | Adaptation, Interview, Poland, Theatre and Dance
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
Read MorePosted by Aida Rocci | 16th Mar 2017 | Interview, London, Spain, Transcultural Collaborations, Translation, United Kingdom
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
Read MorePosted by Alice Jones | 13th Mar 2017 | Acting, Interview, London, United Kingdom
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
Read MorePosted by Armando Rotondi | 10th Mar 2017 | Books, Directing, Interview, Italy
Antonio Latella is one of the leading figures of Italian theater, having worked, as an actor, with...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read More



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 

Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026