Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
Read MorePosted by Kim Soyeon | 8th Jun 2017 | Acting, Adaptation, Interview, South Korea, Translation
The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...
Read MorePosted by Walter Byongsok Chon | 30th May 2017 | Dramaturgy, Interview, South Korea, Transcultural Collaborations
Walter Byongsok Chon is an assistant professor of dramaturgy and theatre studies at Ithaca...
Read MorePosted by Christine Wahl | 28th May 2017 | Festivals, Germany, Interview
An interview with Dorothea Marcus and Till Briegleb, two jury members of the Berlin Theatre...
Read MorePosted by Jack Wernick | 26th May 2017 | Interview, New York, Playwriting, Theatre and Politics, United States of America
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
Read MorePosted by Cheng-Han Wu | 25th May 2017 | Boston, Directing, Interview, United States of America
Dmitry Troyanovsky, currently Assistant Professor of Theater Arts at Brandeis University, is a...
Read MorePosted by Esther Boldt | 15th May 2017 | Germany, Interview
Criticism is currently booming in Germany. Many symposia are devoted to it, as, for example, the...
Read MorePosted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America
You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Barbara Behrendt | 28th Apr 2017 | Acting, Germany, Interview
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
Read MorePosted by Andrew Edwards | 27th Apr 2017 | Dramaturgy, Interview, Scotland, Theatre for Young Audiences, United Kingdom
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
Read MorePosted by The Theatre Times | 24th Apr 2017 | Argentina, Interview, Poland, Polish Theatre Abroad, Theatre and Opera, Transcultural Collaborations
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
Read MorePosted by Veronica Stewart | 20th Apr 2017 | Argentina, Directing, Interview
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
Read MorePosted by Irene Kukota | 1st Apr 2017 | Interview, Russia, United Kingdom
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
Read MorePosted by Marcos García Barrero | 30th Mar 2017 | Immersive Theatre, Interview, Spain
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
Read MorePosted by Tomasz Wiśniewski | 29th Mar 2017 | Directing, Interview, Poland
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
Read MorePosted by Fadi Fayad Skeiker | 26th Mar 2017 | Germany, Interview
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
Read MorePosted by Jessica Rizzo | 21st Mar 2017 | Devised Theatre, Directing, Interview, New York, United States of America
An originator of the Viewpoints system of training for actors and founder of SITI company,...
Read MorePosted by Ágnes Bakk | 20th Mar 2017 | Germany, Interview, Transmedia
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
Read MorePosted by Tomasz Wiśniewski | 17th Mar 2017 | Adaptation, Interview, Poland, Theatre and Dance
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
Read MorePosted by Aida Rocci | 16th Mar 2017 | Interview, London, Spain, Transcultural Collaborations, Translation, United Kingdom
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026 
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026