Song of the Goat Sings the Tragedy of Cordelia in “Songs of Lear”
Devising their works in a 13th-century refractory and former monastery in Wrocław’s Old Town, Song...
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Essay
The Great Australian Plays: Speaking ‘Orstyrlian’ in “Rusty Bugles”
Rusty Bugles is a comedy-drama by Sumner Locke Elliot, one of the many talented writers to abandon...
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What Are The Great Australian Plays? Part I
You could say that a canonical play is one where you’re the problem if you don’t like it. The...
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Here’s Why Christopher Marlowe Co-wrote Shakespeare’s “Henry VI”
A new edition of Shakespeare’s works has identified Christopher Marlowe as a co-author. The...
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Dziady Recycling Festival Explores Memory, Performance, and Ritual Across Cultures
It is noteworthy that the custom of banqueting the dead seems to be common to all pagan peoples,...
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Methods of Devising: Using Technology
This is Part 1 in a series of posts that will address varying models/techniques of devising...
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Beckett is Dead! (But European Playwriting is Still Alive)
Here are five new European plays you should know about.
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The Political Is Personal (Or Vice Versa)
During summer, the Flemish theatre lover catches up on what he missed during the season. And the...
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Women in New Zealand Theatre Hui
On the 19th September 2016, the 123rd anniversary of women gaining the right to vote in New...
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The Yellow Book by Eleonora Fabião
Everything started to me in 2007. Since then it is me and her work, through her work, from her...
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New Theatre in Ukraine: Rattle, Break, and Creation
New Theatre in Ukraine: Rattle, Break, and Creation Ukrainian theatre has been rattling since the...
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New Norwegian Drama and Text-Based Theatre, Part II
The independent theatre companies have at all times been champions for developing new texts for...
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For Emancipated Dramaturgy
I. The dramaturg as emancipated spectator I will begin with this assumption: Today the...
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Musings on Supertitles
Thinking about how to make supertitles more friendly, more accessible to an audience that is...
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Is there a Peruvian Theatre Canon? Part Two: “Collacocha” (1956) by Enrique Solari Swayne
Collacocha by Enrique Solari Swayne gains new life as it approaches its sixtieth year of production.
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How Theatre Is Tackling The Biggest Issue of All: The Future of Our Planet
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
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Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
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Disabled Artists: Rio’s Paralympic Theatre
In January 2016, I took part of a round table entitled The Disabled People’s Protagonism in...
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Contemporary and Classic Possibilities
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
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Norwegian Avant-Garde Theatre, Part I
The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...
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