Shakespeare In The Park’s “Julius Caesar”: I Am She
The Singapore Repertory Theatre (SRT) Shakespeare In The Park returns to Fort Canning Green, after...
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Essay
“Angels in Suits” – The Operas of George Benjamin & Martin Crimp
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
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“OCD Love” by L-E-V Dance Company: Mental Illness Plus Dance Equals Ballet and Horror
L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might...
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“A Dream Under the Southern Bough – The Beginning”: Kun Opera for the Millennial Stage
A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s...
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Moi Qui Parle A Moi-Même Dans Le Numérique Auditory Alienation And Liberation For The Intermedial Performer
With backgrounds in performance and sound design, we were interested in investigating how the...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Playing Nazim Hikmet, Always Fresh And Relevant
Turkish poet, playwright, and novelist Nazim Hikmet spent a life in exile condemning fascism, its...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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From Child Stars To Lost Theatres: Capturing Australia’s Ephemeral History Of Live Performance
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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Drum Tao Aims For Blockbuster Grandeur In Its Latest Production
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
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Contemporary Performing Arts in Portugal: Other Sources of Financial Support
Aside from public funding, the main funder of contemporary performing arts in Portugal is the...
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Recent Trends In The Portuguese Performing Arts Scene
A recent publication on Portuguese theatre summons up politics, experimentalism, and utopia as...
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For Better Or For Worse: The Pros And Cons Of Theatre Relationships
Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...
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“Dreams In An Empty City”: A Strikingly Prescient Morality Tale About Banking
In our Great Australian Plays series, we nominate the best of Australian drama. There is no single...
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Contemporary Performing Arts In Portugal: Local Government Funding
Following European trends and funding, there’s been a move towards state and local governments...
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