Moi Qui Parle A Moi-Même Dans Le Numérique Auditory Alienation And Liberation For The Intermedial Performer
With backgrounds in performance and sound design, we were interested in investigating how the...
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Essay
Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Playing Nazim Hikmet, Always Fresh And Relevant
Turkish poet, playwright, and novelist Nazim Hikmet spent a life in exile condemning fascism, its...
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Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
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Technology And Disability Performance: Our Shifting Perspectives.
Over the last 20 years, the development of technology in performance has made us question what is...
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Film Acting And Performance Capture: The Index In Crisis
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
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From Child Stars To Lost Theatres: Capturing Australia’s Ephemeral History Of Live Performance
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
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Automatism, Autonomy, And Aesthetics In Performing Arts
Artists in the performing and theatrical arts currently have access to technology of an...
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Problems With Gender Equality In Australia’s Dance Industry
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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Drum Tao Aims For Blockbuster Grandeur In Its Latest Production
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
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Contemporary Performing Arts in Portugal: Other Sources of Financial Support
Aside from public funding, the main funder of contemporary performing arts in Portugal is the...
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Recent Trends In The Portuguese Performing Arts Scene
A recent publication on Portuguese theatre summons up politics, experimentalism, and utopia as...
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For Better Or For Worse: The Pros And Cons Of Theatre Relationships
Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...
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“Dreams In An Empty City”: A Strikingly Prescient Morality Tale About Banking
In our Great Australian Plays series, we nominate the best of Australian drama. There is no single...
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Contemporary Performing Arts In Portugal: Local Government Funding
Following European trends and funding, there’s been a move towards state and local governments...
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Vicky Jones On Life After “Fleabag” And “The One”: “It’s Based On Something That Happened To Me”
Bret Yount is choreographing. But there isn’t any dancing. Nor, for the moment, is there...
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Simon Callow On Legendary Play Agent Peggy Ramsay
Peggy Ramsay (1908-1991) was the foremost play agent of her time. Her list of clients shows her to...
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One Story, Two Languages: Sign And Spoken Language Share The Theatre Stage
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
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Contemporary Performing Arts In Portugal: An Overview Pt. 2
This is Part 2 of a 2 part article. Read Part 1 here. The contemporary performing arts scene As...
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