Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Essay
Cybernetics Vs. Decartes
The Mind of non-Cartesian Theater To contextualize my work HUMAN SIMULATION, I organized a...
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Transformation In Contemporary Indian Theater: Abhilash Pillai’s “Helen”
In recent times in India, we have seen the actor’s presence eclipsed by technology in productions...
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Dance Of The Arts
The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...
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“On the Town” and the Long March for Civil Rights in Performance
In this blog post, Carol J. Ola, author or Bernstein Meets Broadway: Collaborative Art in a Time...
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Do You Speak Tech? Report From An Interdisciplinary And Cross-Cultural Partnership
More recent studies from the social sciences showed that “familiar ground may not be the best...
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Friday Essay: 50 Shades Of Shakespeare–How The Bard Sexed Things Up
It’s hard to imagine a more literary or successful author than William Shakespeare, formerly...
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The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
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All Wuzhen’s A Stage, But It’s Not Yet A Big Player
After a divisive Wuzhen Theatre Festival, the Chinese theater must reassess its priorities. The...
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Taking My Shoes Off: Dramaturgy By Movement
My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...
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Berlin: Governing A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Belonging In A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Yukio Ninagawa, The Architect Of Cultural Crossroads
Part of the Asian Theatremakers series I met the late Japanese director Yukio Ninagawa in 2013...
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Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra
One of the most vivid memories of my childhood is sitting on the ground in a parking lot of my...
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The Re-Invention Of Subtitling. A New Technical Approach To The International Market
“Pour bien faire, il faudrait un film qui tournerait la traduction intégrale (de la pièce) à la...
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Telling A Thai Tale: A Dance Dramaturg’s Take
“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...
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Theatre Meeting 2018: The Sun As The Last Frontier
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
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Traditional Storytelling Meets New Media Activism In Iran
In the summer of 2015, I conducted fieldwork in Tehran and Qom, Iran, with a small team of...
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“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
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