The Naked Archivist: Tradition In The Work Of Performance Artist Pichet Klunchun
Author: Rathsaran Sireekan Contemporary art’s desire to be “contemporary”, for many practitioners,...
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Essay
The Western Prejudice Of Contemporary Dance
Fabián Barba studied dance in Quito, the capital of Ecuador, as well as at P.A.R.T.S. in...
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Transcending Michael Chekhov From the Classroom to the Stage
Of the many precepts in developing a work for the stage, commonly method acting can be of the...
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Stage Space of Contemporary Belarusian Scenography
Russian theatre historian Viktor Beryozkin said that while painter deals with canvas, paints, and...
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Hidden Women Of History: Eliza Winstanley, Colonial Stage Star And Our First Female Richard III
In this series, we look at under-acknowledged women through the ages. In December 1882, Eliza...
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Passion Play: The Often Fraught History Of The Theatre And Christianity
During Holy Week – the run-up to Easter – theatrical versions of religious narratives abound....
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Performatik 2019 – Towards Indisciplinarity
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
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The Structure Of The Arts And Culture Industry In Zimbabwe
In the last nine years, at various forums initiated either by government agents such as National...
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Intermediality In The Advanced Dramatic Readings In Belarusian Theatre
Belarusian theatre is not well-known abroad because of a certain cultural isolation. Several local...
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Should Our Funds For The Arts Pay For Cultural Democracy?
You can also read this article in French here. This series of articles, commissioned together...
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Why Is Rudolf Nureyev So Popular Worldwide Even 26 Years After His Death?
He was first in every sense: the first Soviet performer to refuse to return from an international...
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Encouraging New Voices In Theatre Criticism
This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...
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Escaping The Imaginary Of Engaged Arts
This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...
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Rethinking The Purpose Of British Arts Institutions
You can read this article in French here. This series of articles, commissioned together...
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Sonic Realm Theatricals In Belarusian Theatre
In order to demystify Belarusian theatre for those, who are not familiar with it, it might be...
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Bollocks To Brexit!
On Friday, March 29, 2019, was a black letter day. That is because it used to be the date of...
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Transforming The Traditional World Of Kabuki With Kinoshita-Kabuki
For many people, the mention of kabuki brings to mind images of exaggerated makeup on actors’...
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In The Labyrinth Of Surfaces: Performativity, And Visitor Experience In The teamLab Exhibitions
Cutting-edge technology and visual immersion in a flow of digital images have been the focus of...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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The Development Of Israeli Theater–A Brief Overview
In comparison with West European theater, Hebrew theater is young: only a century separates the...
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