Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read MoreEylül Fidan Akıncı is the house dramaturg of Theater aan de Rijn, Arnhem.
Posted by Eylül Fidan Akıncı | 20th Jun 2024 | Iran, Review, Theatre and Politics
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read MorePosted by Eylül Fidan Akıncı | 20th Jun 2023 | Belgium, LGBTQ+ Theatre, Review, Theatre and Dance
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
Read MorePosted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America
On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...
Read MorePosted by Eylül Fidan Akıncı | 7th Apr 2020 | Essay, Puppetry, South Korea, Transmedia
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually...
Read MorePosted by Eylül Fidan Akıncı | 2nd Jun 2019 | Belgium, Review, Theatre and Politics
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Eylül Fidan Akıncı | 1st Jun 2019 | Belgium, Review, Transmedia
I can give two accounts of Sachli Gholamalizad’s solo performance Let us believe in the beginning...
Read MorePosted by Eylül Fidan Akıncı | 16th Feb 2019 | Essay, New York, Theatre and Dance, Transmedia, United States of America
Until the beginning of February, the New York MoMA is mounting an exhibition on Judson Dance...
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