Arinzé Kene’s “Little Baby Jesus” at the Orange Tree Theatre: Lyrical, Energetic and Wise Coming-of-Age Drama
Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...
Read MoreAleks Sierz FRSA is a British theatre critic. He is author of In-Yer-Face Theatre: British Drama Today (Faber, 2001), The Theatre of Martin Crimp (Methuen, 2006), John Osborne’s Look Back in Anger (Continuum, 2008) and Rewriting the Nation: British Theatre Today (Methuen, 2011). He has also written, co-authored with Lia Ghilardi, The Time Traveller’s Guide to British Theatre: The First Four Hundred Years (Oberon, 2015). His latest book is Good Nights Out: A History of Popular British Theatre 1940–2015 (Methuen, 2019). Sierz has written for publications including Tribune, The Arts Desk and The Stage, as well as newspapers such as The Independent.
Posted by Aleks Sierz | 26th Oct 2019 | London, Playwriting, Review, Theatre and Age, United Kingdom
Wow. Just wow. The moment you enter the auditorium of this venue it’s immediately obvious that...
Read MorePosted by Aleks Sierz | 25th Oct 2019 | Adaptation, London, Review, Theatre and Politics, United Kingdom
Adaptation is too banal a word to describe the cross-fertilization of theatre and other art forms....
Read MorePosted by Aleks Sierz | 23rd Oct 2019 | London, Review, Theatre and Politics, United Kingdom
Sabrina Mahfouz is a British-Egyptian writer who has explored issues of Muslim and British...
Read MorePosted by Aleks Sierz | 22nd Oct 2019 | London, Review, United Kingdom
One of the delights of London fringe theatre is its ability to nurture new talent. In this respect...
Read MorePosted by Aleks Sierz | 18th Oct 2019 | Review, Theatre and Disability, United Kingdom
Playwright Peter Nichols died aged 92 last month, just before the opening of this starry West End...
Read MorePosted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom
At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by Aleks Sierz | 27th Sep 2019 | London, Review, United Kingdom
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
Read MorePosted by Aleks Sierz | 22nd Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Identity politics have been around for decades. But it’s always good to revisit the subject....
Read MorePosted by Aleks Sierz | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
Read MorePosted by Aleks Sierz | 13th Sep 2019 | Adaptation, London, Review, United Kingdom
Rachel O’Riordan, the new artistic director of this Off-West End venue, has arrived with a program...
Read MorePosted by Aleks Sierz | 8th Sep 2019 | Adaptation, Documentary Theatre, Review, Theatre and Politics, United Kingdom
The Russian state murders dissidents not only in their homeland, but also in the UK. Recent cases...
Read MorePosted by Aleks Sierz | 4th Sep 2019 | Adaptation, London, Review, United Kingdom
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
Read MorePosted by Aleks Sierz | 24th Aug 2019 | Review, United Kingdom, United States of America
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
Read MorePosted by Aleks Sierz | 22nd Aug 2019 | London, Review, United Kingdom
Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...
Read MorePosted by Aleks Sierz | 18th Aug 2019 | London, Review, United Kingdom
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
Read MorePosted by Aleks Sierz | 26th Jul 2019 | London, Review, Theatre and Age, United Kingdom
For a while, child abuse was banished from our stages. After all, there is a limit, surely, to how...
Read MorePosted by Aleks Sierz | 25th Jul 2019 | London, Review, United Kingdom
Few theatres have done as much to promote new young talent as the Royal Court; few theatres have...
Read MorePosted by Aleks Sierz | 24th Jul 2019 | London, Review, United Kingdom
The best kind of two-hander is the play about couples. And the most dramatic way of saying...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 

Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 
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