A Theatre of Elsewhere
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
Read Moreby S.E. Gontarski | Dec 5, 2023 | Collaborating Across Cultures, Poland, Theatre and Film, Translation | 0
For some of us, the critical process, our practice – that is, what we do – is a continuous and...
Read Moreby Martin Blaszk | Nov 29, 2023 | Brazil, Poland, Review | 0
Waiting for Lucky and Quê Onde [1] were presented on the evening of Friday May 19, 2023 in Teatr...
Read Moreby Emiliia Dementsova | Oct 8, 2023 | Czech Republic, Festivals, Hungary, Poland, Puppetry, Review, Theatre for Young Audiences | 0
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
Read Moreby Kasia Lech | Sep 7, 2023 | Essay, Ireland, Management, Poland, Theatre and Politics | 4
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
Read Moreby Duška Radosavljević | Aug 16, 2023 | Edinburgh 2023, Poland, Review, Scotland | 0
Thanks to the early 20th century ethnographic research of Milman Parry and Albert Lord, the word...
Read Moreby Martin Blaszk | Feb 10, 2023 | Brazil, Education, Essay, Poland, Transcultural Collaborations | 0
An ambitious plan to fly from Gdańsk, Poland to Goiânia, Brazil and co-organize as well as lead a...
Read Moreby Ivam Cabral and Marcio Aquiles | Feb 9, 2023 | Brazil, Education, Essay, Poland, Theatre and Politics, Transcultural Collaborations | 0
Introduction São Paulo Theatre School was founded in 2009 with the aim to establish a democratic...
Read Moreby Luis Guilherme Barbosa dos Santos, Mariana Tagliari, Onira de Ávila Pinheiro Tancrede, Robson Corrêa de Camargo, and Ronei Vieira Nogueira | Feb 7, 2023 | Applied Theatre, Brazil, Education, Essay, Festivals, Poland, Transcultural Collaborations | 0
ENTRE, is a Portuguese verb in the imperative tense that invites us to enter. That says to us:...
Read Moreby Rodolfo García Vázquez | Feb 6, 2023 | Brazil, Covid-19, Essay, Poland, Theatre and Science, Transcultural Collaborations | 0
Praça Roosevelt (Roosevelt Square) is a square located in downtown São Paulo. It was a historic...
Read Moreby Rossella Ferrari | Oct 1, 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review | 0
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read Moreby Urszula Pysyk | Apr 10, 2022 | Festivals, Hong Kong, Japan, Poland, Review, Transcultural Collaborations | 0
Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...
Read Moreby Paweł Schreiber | Apr 9, 2022 | Adaptation, Poland, Review, Theatre and Politics | 0
Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...
Read Moreby Kasia Lech | Mar 29, 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine | 0
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
Read Moreby Dramatyczny Kolektyw | Mar 28, 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations | 0
Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...
Read Moreby Tomasz Wiśniewski | Feb 9, 2022 | Essay, Playwriting, Poland | 0
INTRODUCTION This article is comparative in approach and introduces the work of two classic...
Read Moreby Plamen Radev | Sep 1, 2021 | Between.Pomiędzy 2021, Bulgaria, Festivals, Interview, Poland | 0
The Isle of Youth 2021 was a two-day (PhD) student conference held on 11-12 May 2021 as part of...
Read Moreby Łucja Iwanczewska | Aug 28, 2021 | Applied Theatre, Poland, Review, Theatre and Politics | 0
Adam Mickiewicz’s Dziady (Forefathers’ Eve), written between 1820 and 1832, is considered sacred...
Read Moreby Urszula Pysyk | Aug 23, 2021 | Adaptation, Poland, Review, Transmedia | 0
Have the worlds of Samuel Beckett’s plays become our reality? The creators of Beckett Planet seem...
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