“Tired” Of Consuming Postdramatic Theatre (Contemporary Theatre Often Lacks Strong Dialogue)
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MorePosted by Ivanka Apostolova Baskar | 31st Aug 2025 | Austria, Dramaturgy, Interview, Macedonia
An Interview with Ana Ristoska Trpenoska, a playwright, dramaturg, Vienna/Skopje, Austria/R.N....
Read MorePosted by Cristina Modreanu | 30th Aug 2025 | New York, Review, Theatre and Politics, United States of America
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
Read MorePosted by Ivanka Apostolova Baskar | 28th Aug 2025 | Acting, Interview, Macedonia
An Interview with wonderful talented actresses Jovana Miladinova, Skopje, R.N. Macedonia....
Read MorePosted by Mert Dilek | 28th Aug 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Margaret Rose | 27th Aug 2025 | Edinburgh 2025, Review, United Kingdom
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
Read MorePosted by Ivanka Apostolova Baskar | 27th Aug 2025 | Directing, Interview, Macedonia
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
Read MorePosted by Mehdi Shahedi | 26th Aug 2025 | Essay, Iran, Theatre and Politics
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Essay, Theatre and Politics, United Kingdom
For the last thirty years of my attendance, the Edinburgh Festival Fringe has always been too big...
Read MorePosted by Daniel Meyer-Dinkgräfe | 25th Aug 2025 | Festivals, Germany, Review
In 1997, an association was founded in the German city of Verden on the river Aller, located...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
Read MorePosted by Duška Radosavljević | 25th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
Read MorePosted by Daniel Meyer-Dinkgräfe | 24th Aug 2025 | Festivals, Germany, Review
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, Review, United Kingdom
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
Read MorePosted by Duška Radosavljević | 24th Aug 2025 | Edinburgh 2025, Festivals, New Zealand, United Kingdom
Oli Mathiesen’s dance piece The Butterfly Who Flew Into The Rave has been described by this...
Read MorePosted by Aleks Sierz | 23rd Aug 2025 | Playwriting, Review, United Kingdom
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Edinburgh 2025, Review, Theatre and Gender, United Kingdom
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
Read MorePosted by Margaret Rose | 19th Aug 2025 | Belgium, Edinburgh 2025, Review, United Kingdom
Works and Days the latest production of the FC Bergman collective, played at the Lyceum Theatre as...
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