I Wholeheartedly Recommend “The President:” A Brilliant Revival Of A Play Of Decay, Terror And Revulsion
Decay, terror, revulsion. These are three of the central themes of Thomas Bernhard’s rarely...
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Month: April 2024
Bharatiya Vidya Bhavan’s Theatre Festival Featured A Range Of Themes
Tiruchiyai Meetta Sundarapandiyan and Blackout — two plays with different plots were presented...
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Mad Spring Roundup
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
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Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
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New Play “The Exact Dimensions of Hell” Explores The Chaos And Contradiction Of Teenage Girlhood – And Witchcraft
The relationship between witchcraft and teenage girls has been the subject of many books, films...
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Sharm El-Sheikh Int’l Theatre Festival For Youth Wraps Up Its Poland Monodrama Edition
The monodrama edition of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY),...
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“Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
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“London Tide,” National Theatre
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the...
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“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin
The southern city of Ōtepoti/Dunedin has played an important role in the history of Samuel Beckett...
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The Comeuppance, Almeida Theatre
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
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‘Strong Theatre With Unwavering Precision’: Into The Shimmering World Asks Us What Does It Mean To Be Good?
Angus Cerini’s Into the Shimmering World is an unforgiving and, frankly, bleak meditation on what...
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Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection)
Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing...
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Who’s Afraid of Thomas Stockmann?
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
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Marfa’s Mysterious Lights Come to Hong Kong
AUTHOR: Christie Lee Wong Kit-yi has always been fascinated with myths. Her previous works have...
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Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack)
Seeing a play you much admired five years ago for a third time isn’t always sensible. Will it be...
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Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)?
Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...
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Milan’s FOG Festival
Milan’s international multidisciplinary performance art festival FOG, featuring theatre, music,...
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Mariam Ndagire: A Full Career in Theatre, Music and Film
It is hard to remember the first encounter with Mariam Ndagire as an artist. It was probably...
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Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding
An Interview with Kostas Kapodistrias – Theatre actor and director, theatre manager/founder of...
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Sharm El-Sheikh Int’l Theatre Festival For Youth To Launch Sister Edition In Poland
The Egypt-based Sharm El-Sheikh International Theatre Festival for Youth (SIFTY) is set to launch...
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