Foibles Of Upper-Class Philanderers
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
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Month: December 2018
Shakespeare In South African Schools: To Die, To Sleep–Or Perchance To Dream?
South Africa’s education authorities are reviewing the school curriculum. Basic Education Minister...
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On The Road To New Experiences, Post-SMAP, With Tsuyoshi Kusanagi
It has been almost two years since pop group SMAP split up, but its demise after over two decades...
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“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
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Freemuse Report On Women And Artistic Freedom: Copenhagen, 29. November 2018
In collaboration with Yildiz Akdogan MP and KVINFO, Freemuse launched its new report on women and...
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Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
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Persian Hippolyte: Hybrid Performance Cultures, Hybrid Identity, And Hybrid Technology
In 2013, Goosan Artistic Group, an Iranian group of performance artists, created a promenade...
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“Barber Shop Chronicles”: Man Talk In A Man’s World
Inua Ellams’ Barber Shop Chronicles, his first full-length play, was a smash-hit when it opened in...
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Review: “Other People’s Children” Cracks Open Postpartum Intimacy And Labor
Montreal, Québec Sarah J Culkin reviews Imago Theatre’s production of Other People’s Children by...
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ETL Wins The Heritage In Culture Award 2018
The European Theatre Lab is very proud to announce that the project won Spotlight on Heritage in...
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Violent Clowns And Panto Dames: The Origins Of “Rocky Horror’s” Frank-N-Furter
Dr. Frank-N-furter, the snappy alpha-alien who stars in The Rocky Horror (Picture) Show, is one of...
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“An Enemy Of The People”: The Not-So-Silent Majority Speaks Out Again
In one bound, the rising English director Jonathan Munby found himself in the spotlight of...
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Egypt’s Puppet Show Al-Aragouz Joins UNESCO’s Intangible Cultural Heritage List
Egypt’s most famous and oldest traditional children’s puppet show, El-Aragouz, was accepted...
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Global Queer Plays: A Q & A With Jeremy Tiang And Danish Sheikh
Global Queer Plays, published December 10, is a unique anthology bringing together stories of...
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An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe
A greater push for disability representation in the theatre industry has seen the emergence of...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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“THE BIRDS”: Using Theatre to Explore Multilingualism
Did you know that corvids, the crow family, are native to every single continent, and found...
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2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak
Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...
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Cybernetics Vs. Decartes
The Mind of non-Cartesian Theater To contextualize my work HUMAN SIMULATION, I organized a...
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Terrific Power: “St. Kilda” at the So-Fi Festival in NYC
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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