Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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Month: February 2017
A Mixture Of New Elements Brings A Classic Indian Play To Life
With its debut production of Jaisi Karni Waisi Bharni presented at the 21st Urdu Drama Festival in...
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Last Spring, Dementia Made It to Broadway! Part 2
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
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London: Three Controversies About National Identity
This year has got off to a very slow start, with exciting new British plays being exceedingly...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Remembering Sarah Kane
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
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New Leadership Brings Innovation to the Teatro 25 de Mayo
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
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Anna Smolar Awarded the Passport Prize in Theatre
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
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“Bat Out of Hell”—The Musical Opens in Manchester. Interview With Director Jay Scheib
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
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“Peter Pan Goes Wrong” But Gets Comedy Right
The antithesis of some of the slick, accomplished television premieres of the festive season was...
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Life Is a Kitchen: A Review of the Iranian Adaptation of Arnold Wesker’s “The Kitchen”
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
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