Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
Read MorePosted by Ivanka Apostolova Baskar | 16th May 2026 | Brazil, Directing, Interview, Macedonia
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
Read MorePosted by Milton Coykendall | 16th Mar 2026 | Adaptation, Directing, Germany, Review
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
Read MorePosted by Duncan Wheeler | 24th Feb 2026 | Directing, Management, Review, Spain
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
Read MorePosted by Daniel Meyer-Dinkgräfe | 10th Oct 2025 | Directing, Germany, Review
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
Read MorePosted by Ivanka Apostolova Baskar | 17th Sep 2025 | Dramaturgy, Hong Kong, Interview, Macedonia, Transcultural Collaborations
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read MorePosted by Marta Bryś | 11th Sep 2025 | Festivals, Poland, Review
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
Read MorePosted by Mehdi Shahedi | 26th Aug 2025 | Essay, Iran, Theatre and Politics
We are an avant-garde theatre group, and after our successful performance of The History Boys by...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 10th Oct 2024 | Edinburgh 2024, Poland, Review, United Kingdom
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Walter Byongsok Chon | 22nd Jul 2024 | Canada, Lebanon, Review, South Korea, Theatre and Politics
Sejong Center for the Performing Arts (artistic director, Sun-Woong Koh) staged the play Littoral...
Read MorePosted by Teodora Medeleanu | 7th Mar 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read MorePosted by Maria Delgado | 15th Feb 2024 | Review, Spain
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read MorePosted by David Williams | 25th Jan 2014 | Australia, Festivals, Review, Sydney
In August 2012, I was invited by the Sydney Festival to work with Wesley Enoch, Artistic Director...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026 
