“Sex Magick”: This Gender-Bending, Time-Traveling Play Invites You to Detangle Love and Sex
Boy meets girl. Boy falls in love with girl and follows her to India. Boy has a transformative...
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Tag: Sydney
“The Jungle And The Sea” Reminds Us War Is Profoundly Local, With The Intimate Negotiation Of Human Relationships
Review: The Jungle and the Sea, directed by Eamon Flack and S. Shakthidharan, Belvoir. After the...
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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The Power of Proximity and the Theatre of Touch: What Losing Live Audiences May Mean for Theatre
Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
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Leila Waddell: Hidden Women of History
Leila Waddell (1880-1932) was a country girl from Bathurst, NSW, who entered the world stage as an...
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“The Shadow Whose Prey the Hunter Becomes”: Who Decides Who We re?
In 2009 I wrote an email to the artistic director of Back to Back Theatre, Bruce Gladwin, gushing...
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Australia Council and Arts Funding
Today, the Daily Review published an open letter with more than 700 signatures addressing the...
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ReMOTE: Hip-Hop Dance Meets Gaming Technology at the 2019 Kuandu Arts Festival
Returning to Taiwan for the first time since 2016, Australian-based Shaun Parker & Company is...
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“KING” – An Interview With Shaun Parker
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
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Interview with Festival Director Sarah Purdue: Short + Sweet Sydney Launches 18th Season
The biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
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“King Lear” Reincarnates As Geoffrey Rush–It’s A Bloody Tragedy
In one sense every play staged is a play for its times. Something about it attracts, provokes or...
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Review: “The Merchant Of Venice,” Shakespeare’s Comedy Of Cruelty
The Merchant Of Venice (first published in 1600) boasts a problematic and sometimes controversial...
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Lachlan Philpott on the Flux in Australian Programming
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
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Amanda Macri on the Need for Storytellers: New Playwriting in Australia
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
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Anthea Williams on Belvoir’s Important New Season
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
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Cristin Kelly Goes from Expat to Expert in 100 Days
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
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