Dog-Gone
The new stage adaptation of Dog Day Afternoon just opened on Broadway, directed by Rupert Goold,...
Read MorePosted by Jonathan Kalb | 9th Apr 2026 | Adaptation, New York, Review, United States of America
The new stage adaptation of Dog Day Afternoon just opened on Broadway, directed by Rupert Goold,...
Read MorePosted by Aleks Sierz | 7th Jun 2020 | Applied Theatre, Essay, United Kingdom
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
Read MorePosted by Aleks Sierz | 26th Jul 2019 | London, Review, Theatre and Age, United Kingdom
For a while, child abuse was banished from our stages. After all, there is a limit, surely, to how...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Anna Prosvetova | 1st Jul 2016 | Adaptation, Interview, Russia, Theatre and Gender
Rachel Valentine Smith is a director, producer, designer, and filmmaker. She joined The Faction...
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The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
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