“Three Sisters” at The Almeida Theatre
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
Read MorePosted by Aleks Sierz | 14th May 2019 | London, Review, United Kingdom
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
Read MorePosted by Aleks Sierz | 20th Apr 2019 | London, Review, Theatre and Politics, United Kingdom
Theatre can give a voice to the voiceless — but at what cost? Abhishek Majumdar, who debuted at...
Read MorePosted by Aleks Sierz | 7th Mar 2019 | London, Review, Theatre and Gender, United Kingdom
Titles matter: they send out messages. So, in the current #MeToo climate, isn’t it a bit...
Read MorePosted by Aleks Sierz | 22nd Feb 2019 | London, Review, United Kingdom
With Brexit and Northern Ireland constantly in the news, the timeliness of this play is not in...
Read MorePosted by Aleks Sierz | 23rd Jan 2019 | London, Review, United Kingdom
Playwright Mark Ravenhill, who shot to fame in 1996 with his in-yer-face shocker Shopping And...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
Read MorePosted by Duška Radosavljević | 11th Jan 2019 | London, Review, United Kingdom
Dates: November 28-January 12 Writer: Ellie Kendrick Directors: Helen Goalen and Abbi...
Read MorePosted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read MorePosted by Aleks Sierz | 4th Nov 2018 | London, Review, United Kingdom
Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast....
Read MorePosted by Aleks Sierz | 28th Oct 2018 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
Read MorePosted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom
Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...
Read MorePosted by Aleks Sierz | 3rd Oct 2018 | London, Musical Theatre, Review, United Kingdom
There was once a time when grime music was very angry and very threatening, but that seems a long...
Read MorePosted by Aleks Sierz | 1st Jul 2018 | London, Review, Theatre and Politics, United Kingdom
It’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling...
Read MorePosted by Aleks Sierz | 12th May 2018 | London, Review, United Kingdom
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
Read MorePosted by Aleks Sierz | 2nd May 2018 | London, Review, United Kingdom
There’s a whole universe which British theatre has yet to explore properly—it’s called the sci-fi...
Read MorePosted by Aleks Sierz | 1st Apr 2018 | London, Review, United Kingdom
In the same week that Arinzé Kene’s Misty, a play that passionately questions the clichés of...
Read MorePosted by Aleks Sierz | 26th Feb 2018 | London, Playwriting, Review, United Kingdom
First the goats, and now the sheep—has this venue become an urban farm? Rural life, which was once...
Read MorePosted by Aleks Sierz | 25th Feb 2018 | London, Review, Theatre and Gender, United Kingdom
This is Carey Mulligan week. She appears, improbably enough, as a hard-nosed cop in David Hare’s...
Read MorePosted by Aleks Sierz | 3rd Feb 2018 | London, Review, United Kingdom
What a brilliant title! Yes, this one must be up there with the likes of Jim Cartwright’s I Licked...
Read MorePosted by Aleks Sierz | 30th Jan 2018 | London, Review, Theatre and Gender, United Kingdom
Vicky Featherstone, the artistic director of this new writing venue, is riding high. Very high. A...
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