Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MorePosted by Allison Newey and Kasia Lech | 7th Mar 2023 | Belarus, Festivals, Interview, London, Theatre and Politics, United Kingdom
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MorePosted by Alexander Fatouros | 3rd Jan 2022 | Boston, Review, Theatre and Art, Transmedia, United States of America
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
Read MorePosted by Aleks Sierz | 13th May 2019 | Adaptation, London, Review, United Kingdom
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
Read MorePosted by Nan Van Houte | 3rd May 2019 | Essay, Europe, Management, Participatory Theatre
You can also read this article in French here. This series of articles, commissioned together...
Read MorePosted by Mary Moynihan, Niamh Clowry, and Féilim James | 7th Mar 2019 | Ireland, News, Theatre and Disability
The link between creative expression and positive mental health has been known for quite some time...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Aleks Sierz | 29th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
Read MorePosted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
Read MorePosted by Jean-Baptiste Joly | 12th Mar 2018 | Chad, Devised Theatre, Interview, Theatre and Dance
… when no one is willing to listen, no one you could tell, no one you could talk it over with to...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by Oksana Grytsenko | 20th Jun 2017 | Theatre and Politics, Theatre for Young Audiences, Ukraine
On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...
Read MorePosted by Rok Vevar | 17th Aug 2016 | Dramaturgy, Essay, Europe
“The past is a horrible, fuzzy abyss; what steers into that twilight, ceases to exist–like it has...
Read MorePosted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
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