Speaking from Outside: Interview with Olga Voronkova
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MorePosted by Allison Newey and Kasia Lech | 7th Mar 2023 | Belarus, Festivals, Interview, London, Theatre and Politics, United Kingdom
Olga Voronkova is a London-based, Belarusian video editor, scriptwriter, copywriter, and producer...
Read MorePosted by Alexander Fatouros | 3rd Jan 2022 | Boston, Review, Theatre and Art, Transmedia, United States of America
A daring and nuanced documentary virtual theatre piece about Jewish refugees fleeing Nazi Germany...
Read MorePosted by Aleks Sierz | 13th May 2019 | Adaptation, London, Review, United Kingdom
Edward Hall bids farewell to this venue, where he has been artistic director since 2010, with this...
Read MorePosted by Nan Van Houte | 3rd May 2019 | Essay, Europe, Management, Participatory Theatre
You can also read this article in French here. This series of articles, commissioned together...
Read MorePosted by Mary Moynihan, Niamh Clowry, and Féilim James | 7th Mar 2019 | Ireland, News, Theatre and Disability
The link between creative expression and positive mental health has been known for quite some time...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Aleks Sierz | 29th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
Read MorePosted by Aleks Sierz | 22nd Mar 2018 | London, Review, United Kingdom
How can you represent trauma in the theatre? Let’s count the ways: the naturalistic way tells a...
Read MorePosted by Jean-Baptiste Joly | 12th Mar 2018 | Chad, Devised Theatre, Interview, Theatre and Dance
… when no one is willing to listen, no one you could tell, no one you could talk it over with to...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
Read MorePosted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom
Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...
Read MorePosted by Oksana Grytsenko | 20th Jun 2017 | Theatre and Politics, Theatre for Young Audiences, Ukraine
On the front line between Russia and Ukraine, the small city of Popasna is a place deeply divided:...
Read MorePosted by Rok Vevar | 17th Aug 2016 | Dramaturgy, Essay, Europe
“The past is a horrible, fuzzy abyss; what steers into that twilight, ceases to exist–like it has...
Read MorePosted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 


