Catharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
Read MorePosted by Emilija Kvočka | 14th May 2025 | Essay, Festivals, Serbia
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
Read MorePosted by Michael Schweikardt | 1st Dec 2020 | Adaptation, Design, Transmedia
Recently a friend sent me a message that read, “I’m not sure if you have TikTok, but...
Read MorePosted by Alice Nelson | 20th Sep 2020 | Applied Theatre, Canada, Covid-19, Puppetry
It’s late on a Friday night in July and I’m setting up my kitchen for co-hosting an online puppet...
Read MorePosted by Divna Stojanov | 20th Jun 2020 | Essay, Puppetry, Slovenia
“The puppet says everything that needs to be said so that we are not affected. When we truly...
Read MorePosted by Marisa C. Hayes | 5th Feb 2020 | France, Review, Theatre and Art
HEN. Johanny Bert – Théâtre de Romette. January 22, 2020. Le Mouffetard – Théâtre des Arts...
Read MorePosted by Nicole Birmann Bloom | 20th Mar 2019 | France, Interview, Theatre for Young Audiences
Recently, in February, Johanny Bert, Director/actor/puppeteer developed the play She No Princess,...
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Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
