Tag: Mabou Mines

NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future

Posted by Victoria Zavyalova | 9th Feb 2026 | Australia, Festivals, Review, United States of America

In January, the NYC Under the Radar Festival presented some of the most innovative and...

Read More

China, Liberia, America: A Suite Of Women’s Stories

Posted by Abigail Weil | 7th Feb 2019 | Festivals, New York, Review, Theatre and Film, Theatre and Gender, United States of America

In an intimate performance space in New York’s East Village, a quietly consequential experiment is...

Read More

Vanyamachine: Mallory Catlett’s “This Was The End”

Posted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America

An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...

Read More

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

Read More

Escape From Circus: Review Of Mabou Mines’ “Dollhouse”

Posted by Magda Romanska | 2nd Oct 2012 | Review, Theatre and Disability, Theatre and Politics, United States of America

During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026
GPS M S Biomechanics System Vs. Narcissism:… by Ivanka Apostolova Baskar 8th April 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to… by Emiliia Dementsova 8th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Guilt And Resilience, And “The Fear Of 13” by Teodora Medeleanu 3rd May 2026

Recent Posts

Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026
“The Cherry Orchard”: The Comedy Of Ruins 15th May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home 13th May 2026
“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre 13th May 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage 12th May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? 8th May 2026
At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On 5th May 2026
Guilt And Resilience, And “The Fear Of 13” 3rd May 2026
Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine 2nd May 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest