Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MorePosted by Emily Cordes | 8th Mar 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MorePosted by Lisa Monde | 9th Dec 2024 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
Read MorePosted by Maria Delgado | 15th Feb 2024 | Review, Spain
Alberto Conejero’s trajectory as a playwright has been rooted in telling the stories that have...
Read MorePosted by Lisa Monde | 2nd Jan 2024 | France, Interview, Theatre and Gender, United States of America
Dedicated to the 70th anniversary of the first publication and production of Jean Genet’s unique...
Read MorePosted by Ruth Dhanaraj | 4th Feb 2022 | Applied Theatre, India, Interview
Biryani Durbar, recently staged in Bengaluru, shows how roles reverse when opportunity presents...
Read MorePosted by David O'Donnell | 14th May 2021 | Interview, LGBTQ+ Theatre, New Zealand, Playwriting, Theatre and Gender, Theatre for Young Audiences
The Glitter Garden by George Fowler and Lori Leigh. Directed by Lori Leigh. Circa Theatre,...
Read MorePosted by Timothy L'Ecuyer | 6th Jan 2021 | Interview, LGBTQ+ Theatre, Transmedia, United States of America
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
Read MorePosted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America
Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...
Read MorePosted by Borisav Matić | 17th Feb 2020 | LGBTQ+ Theatre, News, Serbia
“The Queer Café: Hear Our Voices from the Balkans, the project I’ve been working on as a dramaturg and translator, with the US playwright, director and activist Joan Lipkin, has been a precious experience. It has also energized the local community that’s gathered around the Pride Info Center in Belgrade, where the show premiered.” – Borisav Matić
Read MorePosted by John Brunner | 26th Nov 2019 | France, Germany, Review, Translation
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Read MorePosted by Mert Dilek | 8th Sep 2019 | London, Review, United Kingdom
The Turbine Theatre opens its doors to London audiences with Drew McOnie’s intimate production of...
Read MorePosted by Fan Yiying | 26th Jun 2019 | China, LGBTQ+ Theatre, Review, Theatre and Gender
ZHEJIANG, East China — On a theater stage in the city of Hangzhou, a male character reflects on...
Read MorePosted by Matthew McMahan | 15th May 2019 | Boston, Musical Theatre, Review, United States of America
The Huntington Theatre Company has given the city of Boston a priceless gift by remounting the...
Read MorePosted by Aleks Sierz | 18th Jan 2019 | LGBTQ+ Theatre, London, Review, United Kingdom
Long before Mark Ravenhill’s Shopping And Fucking, or Jonathan Harvey’s Beautiful Thing, Kevin...
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“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 



The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025