2024 Dublin Theatre Festival – Subjective Report [Part II]
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Michał Lachman | 4th Mar 2025 | Acting, Festivals, Ireland
To read PART I of this report, go to this link. The line of Irish productions at 2024...
Read MorePosted by Aleks Sierz | 2nd Jun 2024 | London, Review, Theatre and Politics
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read MorePosted by Kasia Lech | 7th Sep 2023 | Essay, Ireland, Management, Poland, Theatre and Politics
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Christine Deitner | 30th Jan 2019 | Los Angeles, Review, Theatre and Art, United States of America
Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026 

James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
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