Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
Read MorePosted by Maria Delgado | 4th Feb 2026 | Chile, Festivals, Review
There were two key themes running through this year’s Teatro a Mil, the Chilean capital’s...
Read MorePosted by Barbara Gabriel | 1st Sep 2022 | Canada, Festivals, Review, Theatre and Decolonization
Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be...
Read MorePosted by Kate Maguire-Rosier | 6th Feb 2022 | Australia, Review, Sydney, Theatre and Politics
Review: Jurrungu Ngan-ga, directed by Dalisa Pigram and Rachael Swain for Marrugeku Jurrungu...
Read MorePosted by Aisling Murphy | 14th Jan 2020 | Canada, Design, Review
The split is clear upon first glance. He wears muddy jeans and rain boots, while she dons...
Read MorePosted by Alvina Ruprecht | 13th Jan 2020 | Canada, Festivals, Review
Under the direction of Kevin Loring in collaboration with artistic associate Lindsay Lachance, the...
Read MorePosted by Sheetala Bhat | 16th Dec 2019 | Canada, Review, Theatre and Decolonization, Theatre and Politics
Almighty Voice and his Wife, a play written by Daniel David Moses in 1991, was recently staged in...
Read MorePosted by Angelina Hurley | 13th Nov 2019 | Australia, Review, Transcultural Collaborations
From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
Read MorePosted by Patrick Langston | 29th Oct 2018 | Canada, News, Theatre and Disability
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
Read MorePosted by Jamie Portman | 29th Aug 2017 | Canada, Festivals
STRATFORD, Ontario — Our first encounter with the mythic polar bear dominating the Stratford...
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Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 