Edinburgh Festival Archives - The Theatre Times

Brexit Revisited

Posted by Aleks Sierz | 14th Feb 2020 | Essay, London, United Kingdom

“Fetch me ’ammer.” (Edward Bond, Saved) “Art is not a mirror held up to reality, but a hammer with...

Richard Gadd’s “Baby Reindeer” at The Bush Theatre: An Obsessive Story About Obsession

Posted by Aleks Sierz | 27th Oct 2019 | Documentary Theatre, London, Review, United Kingdom

True stories, even in a fictional form, have the power to grip you by the throat, furiously shake...

Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside

Posted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom

Since their first understated but instantly successful visit to Edinburgh in 2008 with their...

“The Shape Of The Pain” at Wilton’s Music Hall

Posted by Aleks Sierz | 3rd Apr 2019 | London, Review, United Kingdom

Pain. A world of pain. Pain. For anyone suffering from a rare condition called Complex Regional...

Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre

Posted by Aleks Sierz | 12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom

Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...

Jo Clifford’s “Losing Venice” at The Orange Tree Theatre

Posted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom

English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...

“Silk Road (How To Buy Drugs Online”) at The Trafalgar Studios

Posted by Aleks Sierz | 21st Aug 2018 | London, Playwriting, Review, United Kingdom

The Dark Web has an intriguing sound about it. Like something out of JRR Tolkien or JK Rowling, it...

Natasha Marshall’s “Half Breed” at The Soho Theatre

Posted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom

In the 2000s one of the many glories of new writing for British stages was the linguistically...

King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison

Posted by Aleks Sierz | 16th Apr 2018 | London, Review, United Kingdom

Last night, I went to the King’s Head Theatre to see Martin Murphy’s hugely enjoyable Victim, a...

Are Monologues The Best Or “The B*easts” At The Bush Theatre?

Posted by Aleks Sierz | 25th Feb 2018 | London, Review, United Kingdom

Monologues are increasingly popular in contemporary British theatre. In an age of austerity, they...

Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre

Posted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom

Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...

Edinburgh Festivals: How They Became the World’s Biggest Arts Event

Posted by Kenneth Wardrop and Anna Leask | 7th Aug 2016 | Essay, Festivals, Scotland, United Kingdom

The Edinburgh Festival is upon us again, a three-week spectacular that turns the Scottish capital...

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Tag: Edinburgh Festival

Brexit Revisited

Richard Gadd’s “Baby Reindeer” at The Bush Theatre: An Obsessive Story About Obsession

Edinburgh Fringe 2019: “Are We Not Drawn Onward to New Era” at Zoo Southside

“The Shape Of The Pain” at Wilton’s Music Hall

Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre

Jo Clifford’s “Losing Venice” at The Orange Tree Theatre

“Silk Road (How To Buy Drugs Online”) at The Trafalgar Studios

Natasha Marshall’s “Half Breed” at The Soho Theatre

King’s Head Theatre’s “Victim”: One-Woman Show About Life in Prison

Are Monologues The Best Or “The B*easts” At The Bush Theatre?

Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre

Edinburgh Festivals: How They Became the World’s Biggest Arts Event

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