Creativity on the Edge, Communication with the Centre, and Conversations about the Future
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MorePosted by Miriam Haughton and Patricia O’Beirne | 27th Jan 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MorePosted by Tonderai Chiyindiko | 1st Jan 2022 | Review, South Africa, Theatre and Dance
Metsi, staged at the State Theatre is a daring and brave production in how it includes elements of...
Read MorePosted by Oliver Farry | 15th Apr 2021 | Festivals, Hong Kong, News, Theatre and Disability
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Aleks Sierz | 23rd Feb 2021 | Covid-19, Review, Theatre and Art, United Kingdom
Film is the new theatre — this we know, but does the distance imposed by the change of medium...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
Read MorePosted by Armando Rotondi | 11th Sep 2020 | Devised Theatre, Germany, Interview
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
Read MorePosted by Julian Meyrick, Julianne Schultz, and Justin O'Connor | 19th Aug 2020 | Australia, Covid-19, News
Written by Julian Meyrick, Julianne Schultz, and Justin O’Connor National crises, like the...
Read MorePosted by Ahram Online | 16th Jul 2020 | Covid-19, Egypt, Review, Theatre and Dance
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
Read MorePosted by Helen W. Kennedy and Sarah Atkinson | 6th Jul 2020 | Covid-19, Immersive Theatre, News, United Kingdom
Pubs and cinemas may be opening in the UK, but the performing arts sector remains languishing...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read More


Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | ||||||
| 2 | 3 | 4 | 5 | 6 | 7 | 8 |
| 9 | 10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 | |||||