Miss Julie: Amy Ng Brings A “Problem Play” To Hong Kong
Amy Ng has a problem. The Hong Kong-raised, London-based playwright is holed up in a Causeway Bay...
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Tag: class
“London Zoo,” Southwark Playhouse
Before the internet, newspapers were central to the national conversation in Britain. By the first...
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Interview with Brilliant Les Dramaturx (Germany): Playfully, In the Sense of Autonomous Art, or Politically, In the Sense of Artivism.
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
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James Fritz’s The Flea at the Yard Theatre: History Play Gives a Queer Reading of the Cleveland Street Scandal of 1889
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
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Review: “A Streetcar Named Desire” At The Young Vic
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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“The Phlebotomist” at The Hampstead Theatre
Contemporary British theatre loves time travel — and not just to the past. It also enjoys...
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Kieran Hurley’s “Mouthpiece” At The Soho Theatre: Feast Of Meta-Theatre
There are plenty of plays in which a character finds their own voice. But what about stories which...
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“Alys, Always” at The Bridge Theatre
Okay, so this is the play that will be remembered for the character names that have unusual...
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“How To Rule The World” Is A Biting And Urgent Satire Of Australian Politics–That Feels All Too Real
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
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Martin Crimp’s “When We Have Sufficiently Tortured Each Other” At The National Theatre
The most hyped play of the year is here. Because of the huge demand for seats, and the relative...
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Dark Times: British Theatre After Brexit
“In the dark times Will there also be singing? Yes, there will also be singing. About the dark...
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Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
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Joy Wilkinson’s “The Sweet Science Of Bruising” at The Southwark Playhouse
There are not that many plays about sport, but, whether you gamble on results or not, you can bet...
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Debris Stevenson’s “Poet In Da Corner” at The Royal Court
There was once a time when grime music was very angry and very threatening, but that seems a long...
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“Imperium” at The Gielgud Theatre
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
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“One For Sorrow” at The Royal Court
It’s the stuff of nightmares. There’s a massive explosion, the sound of smashing glass, falling...
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“Monogamy” at The Park Theatre
Forget about dark alleys, deserted parks and slippery slopes: the most dangerous place in the...
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Labour Politics In Audrey Dwyer’s “Calpurnia” Problematize Allyship
Shelley Liebembuk reviews Calpurnia, a co-production between Nightwood Theatre and Sulong Theatre...
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