Choreography Archives - Page 2 of 2

Performatik 2019 – Towards Indisciplinarity

Posted by Rathsaran Sireekan | 6th May 2019 | Belgium, Essay, Festivals, Participatory Theatre, Theatre and Art, Transmedia

The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...

Souleymane Sanogo: The Body That Speaks

Posted by Gowri S | 8th Apr 2019 | India, Review, Theatre and Dance

With minimal words and music, West African dancer Souleymane Sanogo uses his body to tell his...

Hong Kong Ballet Brings Back “Le Corsaire”–An Encounter With Its Rising Young Star, Garry Corpuz

Posted by Zolima Citymag | 1st Apr 2019 | China, Hong Kong, News, Theatre and Dance

This article is brought to you by The Hong Kong Ballet. 25-year-old Garry Corpuz is one of Hong...

A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre

Posted by Zolima Citymag | 18th Mar 2019 | China, Design, Hong Kong, Theatre and Dance

This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...

Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

Posted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America

ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...

My Life In Russia: Life Of Ballet Dancer Xander Parish

Posted by Yulia Shamporova | 4th Jan 2019 | News, Russia, Theatre and Dance

Meet Xander Parish, the principal dancer of the famous Mariinsky Theater in St. Petersburg. He...

Suzanne Foellmer: Choreography As A Form Of Protest

Posted by Nadine Berghausen | 8th Dec 2018 | Germany, Interview, Theatre and Politics

Politically motivated flash mobs and performances react to current questions of society with...

Taking My Shoes Off: Dramaturgy By Movement

Posted by Miranda Laurence | 24th Nov 2018 | Dramaturgy, Essay, United Kingdom

My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...

Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age

Posted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom

Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...

From LifeForms To DanceForms: “4 Events” In Barcelona For Merce Cunningham Centennial

Posted by Armando Rotondi | 1st Oct 2018 | News, Spain, Theatre and Dance

An ambitious educational project in order to officially celebrate world-renowned American...

“Brodsky/Baryshnikov” – Poetry in Motion

Posted by Katrina Holden-Buckley | 7th Feb 2018 | Boston, Devised Theatre, Review, Theatre and Dance

On a Sunday afternoon at the Cutler Majestic in Boston, Brodsky/Baryshnikov had its final Boston...

Bouchra Ouizguen’s Subversive Feminine

Posted by Nahrain Al-Mousawi | 15th May 2017 | Morocco, Theatre and Dance, Theatre and Gender

Originally from Ouarzazate, Morocco, Bouchra Ouizguen studied and performed with choreographers...

The Future of Dance Is Underwater: A Review of Eko Supriyanto’s Indonesian Contemporary Dance

Posted by Natali Pearson | 27th Feb 2017 | Indonesia, Theatre and Dance

Mindful that the adrenaline coursing through your veins must not disturb the rhythm of your...

Interview: Evgeny Goremykin Of London Russian Ballet School

Posted by Leah Lord | 3rd Feb 2017 | Interview, London, Russia, Theatre and Dance, United Kingdom

The London Russian Ballet School is unique in its offer of an authentically Russian ballet...

Decentring Dance Dramaturgy

Posted by Anny Mokotow | 1st Sep 2016 | Dramaturgy, Essay, Theatre and Dance

Multiple approaches in contemporary performance and in dance performance, in particular, are part...

The Fight Director’s Bookshelf: What Early Career Fight Directors Should Be Reading

Posted by Meron Langsner | 25th Aug 2016 | Stage Combat

What early career fight directors should be reading? This post addresses what I feel should be the...

Tag: Choreography

Souleymane Sanogo: The Body That Speaks

Hong Kong Ballet Brings Back “Le Corsaire”–An Encounter With Its Rising Young Star, Garry Corpuz

A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre

Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

My Life In Russia: Life Of Ballet Dancer Xander Parish

Suzanne Foellmer: Choreography As A Form Of Protest

Taking My Shoes Off: Dramaturgy By Movement

Jasmin Vardimon: Adapting “Medusa” Myth In The Liquid Modernity Age

From LifeForms To DanceForms: “4 Events” In Barcelona For Merce Cunningham Centennial

“Brodsky/Baryshnikov” – Poetry in Motion

The Future of Dance Is Underwater: A Review of Eko Supriyanto’s Indonesian Contemporary Dance

Interview: Evgeny Goremykin Of London Russian Ballet School

Decentring Dance Dramaturgy

The Fight Director’s Bookshelf: What Early Career Fight Directors Should Be Reading

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