Theatre – Creating Conditions For What Has Been Silenced To Emerge
An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo,...
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Tag: censorship
From Shakespeare To Contemporary Montenegrin Authors, I Aim To Connect With Society Through The Works I Choose
An Interview with theatre director and theatre festival manager Zoran Rakocevic,...
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“The Divine Mrs S,” Hampstead Theatre
British theatre’s love of theatre about theatre offers a chance for some moments of meta, but do...
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Sam Holcroft’s “A Mirror” at the Trafalgar Theatre
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
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Natalia Lizorkina’s “Vanya is Alive” Is Both A Play and Witness Statement
Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we...
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How British Theatre Censorship Laws Have Inadvertently Created A Rich Archive Of Black History
In an age of so-called “cancel culture” it’s important to remember that for much of British...
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Interview with Ossama Halal on Experimenting with Physical Theatre and Beyond
Ossama Halal is a Syrian theater director, choreographer, and actor. He started his artistic...
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The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 2
To read Part 1 of this interview, click here. TRANSLATION AND ADAPTATION For the Illinois State...
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Entering “Yellow Inn”: A Conversation Between the Playwright and Translator, Part 1
Interview and translation by Kee-Yoon Nahm with contributions from Laura Gisondi. Lee Kang-baek is...
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“No Elections, Torture Instead”: Zarema Zaudinova, Rising Star of Russian Documentary Theatre, About Her Latest Work, “Torture”
Whatever preconceptions you have about documentary theatre, set them aside when you step inside...
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About “Lemons Lemons Lemons Lemons Lemons”
Last night, I went, for the first time, to the Barons Court Theatre, which is staging a compact...
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Russia Meets Iran: J’afari, Vișniec and Meyerhold, Partners of Ideology, Traversers of History
Read Farinaz Kavianifar’s interview with Rūhollah J’afari. On the evening of August 3, 2018,...
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“Pah-La” at The Royal Court
Theatre can give a voice to the voiceless — but at what cost? Abhishek Majumdar, who debuted at...
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Brecht In Exile: “Galileo” In Brooklyn
New York’s Irondale Project presents a scrupulously faithful production of Brecht’s The Life Of...
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Colliding Traditions Keep Chinese Opera Alive and Well
Chinese opera is as expansive and diverse as China itself – and it continues to thrive in the face...
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Inside Pussy Riot: “Political Art Can Change The World”
Taking place 100 years after the Russian Revolution, Art Riot: Post-Soviet Actionism opened at...
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“Thebes Land. Kassandra” – Migrant Myth
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
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Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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Sociopolitical Influences on Theatre in Poland
Let us consider that the evolution of institutional criticism has been conducted in relation to...
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