The Perils of Parody in Forbidden Broadway: Merrily We Stole A Song
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePosted by Morgan Skolnik | 2nd Oct 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePosted by Catherine Campbell | 10th Jul 2024 | Australia, Festivals, Review
Now in its 24th year, the Adelaide Cabaret Festival’s annual celebration of all things cabaret...
Read MorePosted by Emiliia Dementsova | 2nd Oct 2022 | Adaptation, Review, Russia, Theatre and Politics
Musical drama of unlearned lessons is perhaps the most appropriate definition for Evgeny...
Read MorePosted by Chris Thompson | 3rd Aug 2022 | Acting, Australia, Melbourne, Musical Theatre, Review
Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...
Read MorePosted by Dvir Avnon-Klein | 12th Jul 2022 | Musical Theatre, New York, Review, Theatre and Opera, United States of America
The new musical Penelope by the York Theatre Company was a fresh and hilarious comedic take on...
Read MorePosted by Nemanja Stanojevic | 27th Apr 2022 | Design, Immersive Theatre, Interview, Producing, Serbia
Belgrade and Serbia have a three-century-long history of theatre. Along with the development of...
Read MorePosted by Mert Dilek | 13th Dec 2021 | London, Musical Theatre, Review, United Kingdom
Willkommen, bienvenue, welcome! Come on in: we need, after all, some respite from a world in...
Read MorePosted by Emiliia Dementsova | 15th Oct 2020 | Puppetry, Review, Russia, Theatre and Politics
If the United States again accuses Russia of interfering in the election, it will almost certainly...
Read MorePosted by Nicole Birmann Bloom | 22nd May 2020 | France, Interview
Eva Doumbia is a writer, director and actress. Her creative residence in New Orleans for the...
Read MorePosted by Jack Wernick | 27th Dec 2019 | New York, Review, United States of America
The ghost of David Bowie is alive and well and residing in the basement of La MaMa’s...
Read MorePosted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Abigail Weil | 24th Feb 2019 | Musical Theatre, New York, Review, United States of America
In 2004, Gwen Stefani, lately of the band No Doubt, released a song called Rich Girl which sampled...
Read MorePosted by Nobuko Tanaka | 12th Feb 2019 | Japan, Musical Theatre, News, Transcultural Collaborations
Whether it’s a regular theatre that gets you going these days—or you’re skipping along more to...
Read MorePosted by Alexander Nderitu | 25th Nov 2018 | Review, Theatre and Gender, United States of America
Josephine Baker tribute shows garner favourable reviews across the world.
Read MorePosted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
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