Black Second-Act Problems: “Black No More” by The New Group
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read MorePosted by Jonathan Kalb | 15th Jun 2022 | Musical Theatre, Review, Theatre and Decolonization, United States of America
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read MorePosted by The Theatre Times | 6th Jul 2018 | Musical Theatre, New York, Review, United States of America
It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.
Read MorePosted by Christopher Harris | 23rd Mar 2018 | Festivals, Netherlands, Review, Theatre and Opera
If you ask any resident of Amsterdam: “how did the National Opera House look from the...
Read MorePosted by Jessica Rizzo | 1st Oct 2017 | Festivals, Philadelphia, Review, United States of America
The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...
Read MorePosted by Carrie Mannino | 12th Nov 2016 | Review, Theatre and Politics, United States of America
Analogy/Dora: Tramontane, Oct. 20-21, 2016, August Wilson Center, Pittsburgh Sixty years after the...
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“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 | M | T | W | T | F | S | S |
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